It's certainly anyone's prerogative to say, 'I liked something more when it was this' or blah blah. But there's a kind of laziness as a consumer of entertainment, I think, to wish that something was repeating itself and doing the same thing. But to each their own, and I do it all the time. I've dropped television shows as a viewer.
I want to make a drug. I want the science to be more than imaginary, where I think, 'We're learning these fundamental principles, blah, blah, blah, blah, blah.' I think we are doing that, but I want to do something really practical. I want to actually, in my lifetime, help people.
I think as we get older, as we get more mature and more experienced, we do realize it's like, 'blah, blah, blah,' oh there's the information I need, and then 'blah, blah, blah,' right? So we do this triage, I feel like, of what people say to us.
MacPherson told me that my theorem can be viewed as blah blah blah Grothendieck blah blah blah, which makes it much more respectable.
All men hear is blah, blah, blah, blah, SEX, blah, blah, blah, FOOD, blah, blah, blah, BEER.
I move out here, and next thing I know I'm 25, and the only thing I've heard is, 'Can you get a coffee, can you hurry up with the thing, blah blah blah.' It was nice doing something and hearing someone go, 'Hey, you're good at this.'
Some people just use beautiful things to just shop or to have a tribal feeling - 'Oh, blah, blah, blah, I'm wearing Hermes; blah, blah, blah, I'm wearing Saint Laurent; blah-blah blah' - because it's like a need, a tribe, recognition: 'Ahh, my Rolex.' But I run away from anything which is too recognizable - it's my nature.
I remember when in the early days of rock'n'roll, when everything sounded totally different, all amazing and blah blah blah blah blah. Now you can play me one second of any record from that time, and I'll say "1959" or "1961." I can hear precisely. It's like it has a huge date stamp on it.
I just don't think I'm that interesting. I don't think what I have to say is that interesting. To hear me go blah, blah, blah, blah, blah. I mean, who... cares?
I love doing improv, and I swear by it, and I encourage people to take classes, and blah blah blah. But it's always been interesting how it doesn't necessarily translate to television.
I didn't want to do the obvious role that you see in Hollywood most of the time, which is the heartbroken girl who's waiting to be rescued by the guy, blah, blah, blah. I wanted to do something different.
There's a lot of pressure on Broadway. There's this feeling that the show has to be a commercial success and the producers have to make their money back and Tonys and blah, blah, blah, blah, blah.
My whole freshman year at Duke, it was drilled into me that nothing was given to you, and you have to earn it, and this is a dog-eat-dog world, and blah blah blah, and blah blah blah. And you buy into it, 100 percent. You end up loving it. That's the way it should be, right?
I thought that the hardest part would be the external - would be the - oh, nails and the hair and the makeup and the dress and the heels and the blah, blah, blah, blah, blah. And actually, that wasn't the hardest. That was very, very, very easy for me, and I liked it.
When 'American Slang' came out, everyone was like, 'This is the next big band in the world, and this is blah blah blah Bruce Springsteen Junior and blah blah blah,' and I was just like, 'I don't know what that means. I don't know. We'll see.'
A very sad moment for me was when my parents separated - a lot of crying, 'It's tragic, we're now a broken family, blah blah blah blah blah' - although my psychological problems stopped. I actually felt healthier.
The camera can move, you can make the shots, blah blah blah, but as long as the actors are good, you have something.