A Quote by Justin Peck

I've always felt that Balanchine is my ultimate teacher. I learn the most from observing his work and also dancing in it. — © Justin Peck
I've always felt that Balanchine is my ultimate teacher. I learn the most from observing his work and also dancing in it.
Mr. Balanchine was a great gentleman, and he loved his dancers. He was devoted to his company. He came to the ballet every night, and his presence was felt. It was like the whole company was dancing for him. And if he liked you, he trusted you to be yourself. He didn't try to change you and make you into something you were not.
Mr. Balanchine wanted me to be myself. He didn't want me to look like anyone else. I love teaching our company dancers the Balanchine ballets. I try to give them what was passed down to me and what I learned from him. They dance it so beautifully. It also keeps me close to Mr. Balanchine. He's with me every single day.
I felt that Balanchine was my father towards me. He was the person I most admired and looked up to.
George Balanchine is my role model because his work is so varied. You can see two ballets of his and not even realize that they are by the same choreographer.
I never studied with Balanchine, but his work was very important to me.
I have been a fan of Yoo Ah In's for a long time. Every time I watched one of his films, I would think to myself, 'How does he act like that?' and greatly admired his acting abilities. I felt that I would be able to learn and improve a lot as an actor, just by observing.
I was the one that was always dancing and got along with everybody, but I also spoke my mind. If I didn't agree with something the teacher would say, I'd tell her, so I would get in trouble for things like that. I've always been a good/bad boy.
To have the appreciation from your peers, the fans and the company you work for is the ultimate reward. For me, that has always been ultimate because respect has always been the most important thing to me in this business.
I have always felt that the true text-book for the pupil is his teacher
Fred Astaire told me things I will never forget. Gene Kelly also said he liked my dancing. It was a fantastic experience because I felt I had been inducted into an informal fraternity of dancers, and I felt so honored because these were the people I most admired in the world.
Nothing exists until or unless it is observed. An artist is making something exist by observing it. And his hope for other people is that they will also make it exist by observing it. I call it 'creative observation.' Creative viewing.
My opponent is my teacher and I am his teacher. I have to show him what he's doing wrong and I have to learn from what he's teaching me. You can't think of him as an enemy, it's the wrong mindset, you don't fight with anger or hate, you're always going to lose that way.
So I hope to stretch my acting skills. I got to a point in my dancing where I felt like I did so much hard work and I achieved a lot of great things, and I wanted to try something else and put that same kind of commitment that I did into my dancing into something that I was also passionate about. I had so many opportunities with my dance and now I'm just excited to get better as an actress.
I can see he thinks he's the ultimate creation, and he seems to believe every woman here is his Eve, created from his ribcage for him to enjoy. I'm both aroused and infuriated, and this is the most confusing feeling I've ever felt in my life.
No man is happier than he who loves and fulfills that particular work for the world which falls to his share. Even though the full understanding of his work, and of its ultimate value, may not be present with him; if he but love it--always assuming that his conscience approves--it brings an abounding satisfaction.
It is always the teacher who must learn the most... or else nothing real has happened in the exchange.
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