A Quote by Justin Peck
It's amazing what a resource modern technology is now for making ballets, and I film my rehearsals almost every day.
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When I grew up, scientists were anti-social people who worked in basements and wore coats and worked with bunson burners, and now they're in our technology every day, and our technology has almost become fashion accessories.
As a kid who wasn't into sports, at school I felt almost alienated at times, whereas in the theatre community there was this amazing sense of camaraderie. Early on, we would go to rehearsals with my dad and I was like the mascot for the backstage crew. That was a big part of my childhood, so I dreamed of one day doing a play in London.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
Every movie that I've picked, from my first film on, has been considered by everyone to be 'career suicide.' And I have an amazing life. I have an amazing career. I work with artists. But I'm not making 'Spider-Man.'
That was an amazing experience [making Dream of Life]. It's hard to imagine that we were editing every day for a year. And it was pretty extraordinary; it also went by super fast. But every day was an experiment.
Technology is neutral and sterile. Now, technology is the nature of modern man; it is our environment and our horizon. Of course, every work of man is a negation of nature, but at the same time, it is a bridge between nature and us. Technology changes nature in a more radical and decisive manner: it throws it out.
The technology available for film-making now is incredible, but I am a big believer that it's all in the story.
Thanks to modern technology, we now can deliver every text in every research library to every citizen in our country, and to everyone in the world. If we fail to do so, we are not living up to our civic duty.
We have millions of users around the globe who do amazing things with our technology every day.
I like actors who just become that person and then react, and Adam [Driver] is completely reactive in that way. So every day working with him was really a pleasure. And he's in almost every scene in the film, so the poor guy had to work the - almost the entire 30 days of our film shoot. But, yeah, he was really a pleasure, and I really love what he - how he embodied this character.
Sometimes films have no rehearsals - you don't have real rehearsals on the set because the day is so dominated by the schedule.
With a stage play, they can't cut a word; you can be in rehearsals every day, you cast it, you cast the director, too; the amount of control for a playwright is almost infinite, so you have that control over the finished product.
The idea of making a film - a film that I had certainly never seen before - about the slave experience was a huge responsibility. It's a project that requires a wider understanding of the geopolitical nature of the slave trade, of historical and modern-day racism.
There's one thing now that I experience every day when I'm making a film. I get up and think to myself, 'Am I going to be able to do it today?' I figure as long as I have that fear, I'll be alright.
Aisha Hinds wasn't in my life one day, and now suddenly I see her every day. I'm like 'You're amazing. What are you doing right now? I have to see you, I'm coming over!'
If you want to be a modern citizen of the world, you have to be minimally capable in technology. It's a new literacy test. Technology rules your outcome in life. And software is making a lot of decisions in our lives.
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