A Quote by Justin Roiland
I'm just insane. So what usually drives me is pure joy for something stupid. I'm also very visual. I'll have an idea in my head that I really can't shake.
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For TV you also get those pre-interviews when researchers ask you what you're going to say. The pre-interview drives me insane. If they've already decided the outcome, why don't I just hand in an essay? Maybe if we talk we'll find something out. I'd rather just have an awkward pause.
I was this kid, and I was scared to death of all these pros around me... My head would shake, and my hands would shake, and I discovered if I kept my head down and looked up, my head would not shake, so I started to do that when I could, when it was appropriate in a scene.
There is something evocative about the idea of destruction. This act of destruction is the expression of an idea... that what we call reality is not real at all. When I draw a head, for example, I immediately feel an urge to destroy it, to erase it, because the drawing only captures an outward appearance, and for me the vital issue is what lies behind the visual form of the head.
I think it's something that really speaks in your head - a very strong melody. But at the same time, if the song doesn't have some kind of edge to it, if there isn't something a little off about it or something very intense or loud or abrasive in some way, it just comes off as a stupid pop song.
I wanted to get more serialized. I had this idea for an event that would click onto everybody's mortality. I said, "I want somebody to die." Fortunately for me, when I was toying with that idea, John Landgraf, who's the head of FX but also a very smart executive, came up with the idea of the ashes in the maracas. He called me up and said, "Listen, what about this, they get the ashes in a box and when they get them, they shake them and they sound like maracas." And I was like, "Okay, now I've got my throughline."
Directing action scenes is really just pure visual storytelling that just makes sense to me pretty intuitively.
We have the opportunity to make people feel something, feel some emotion, and then also we get to be just pure athletes, and from a pure technical standpoint do things are really technically demanding, and very challenging. So it's that balance between the two that we love. And we love to play with the limits and push ourselves.
I think it's somewhere in my head, in my travel space, and it just comes out. It's a visual thing that happens unintentionally. People will tell me, "You do realize you just spoke with that accent, right?" And I'll go, "Oh, did I?" So it's not something I think about. As we talk, I have a visual about my speech and it just comes out like that. If that makes any sense!
You shake my nerves and you rattle my brain, too much love drives a man insane. You broke my will, but what a thrill. Goodness gracious, great balls of fire.
The whole novelty and challenge of playing twins is something that has kept things wonderfully fresh for me. Just the pure joy and freedom of being able to explore so many facets of not just one, but two, different characters at once is a very singular experience.
I'm a bit of a workaholic. When I feel like I'm not doing something, it drives me insane.
Hitchhiking was such a pure form of existence. You'd wake up in the morning, and you'd have no idea what your day was going to be. And that's something I've never been able to shake. I loved that.
As a creative person you just get an idea in your head, and sometimes you just can't shake it off.
In the creative industries, there are few things more exciting than a zinger - a thought, idea, line, plot device - anything really, that just totally works in a fundamentally new and fresh way. It's like a uniquely lovely melody or a new taste idea in cooking. Something special, something new, something wonderful. They're also very rare.
Music drives me insane, the incessant presence of music in my life. It informs how I see the world; it drives me crazy
As a driver I have come to believe that the person just in front of me and the person just behind me are always just about to do something really stupid. Tense is not the right word, but I am very hyper-aware of such things.
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