A Quote by Justin Theroux

If I had to write long-form stuff with descriptions of rooms, it would be so boring for me. I like writing dialogue and jokes and situational stuff. — © Justin Theroux
If I had to write long-form stuff with descriptions of rooms, it would be so boring for me. I like writing dialogue and jokes and situational stuff.
I was young, but to me that was underground music. I had never heard anything like Venom or any of that stuff growing up in Louisville. That was sort of the only weird records I could find. All that stuff would be in the import section. And sometimes there would be some sort of goth type of stuff. But that was the stuff I was attracted to.
I used to do poetry and write stories and stuff - I never really had anybody standing over my shoulder, like, "What did you write? Let me hear it." I hate that type of stuff.
To develop your own voice, you have to keep writing a ton, and this is something where I think Twitter is helpful. I use it to write a ton of jokes. You have to write a ton of bad stuff before you know what you're good at. And that's what some people I think have trouble with, the thought of getting past the bad stuff.
I started writing songs in high school, so you had to write this stuff out and register it with the Library of Congress. You had to learn how to do that stuff.
If you mean do I use the guitar when I'm sitting at home writing stuff, then basically no, never. All I would ever write would be stuff that my fingers easily fall into.
I'd try to write my poems in a certain rhythm. I had my rock 'n' roll stuff for performing and my denser stuff for writing.
Everyone told me, "Don't ever talk about international stuff," and "Don't do long-form content online," and "Don't get too serious in news," and "Don't be too heavy" - all this stuff, all the rules. But we broke the rules, and that, ironically, has led to some of our most successful stuff.
Whether I'm writing solo stuff, electronic stuff, or material for Motley, I just write to write. I come up with it and put things in different piles.
Someone asked me the other day what it feels like to see all my 'old stuff' reappearing, at long last, in digital. And I had to smile because to me it doesn't feel like 'old stuff.'
Funny, reely," he said. "You spend your whole life goin' to school and learnin' stuff, and they never tell you about stuff like the Bermuda Triangle and UFOs and all these Old Masters running around the inside of the Earth. Why do we have to learn boring stuff when there's all this brilliant stuff we could be learnin', that's what I want to know.
The writing process is more... it becomes a case of more like a diary for me. I mean, I write stuff down all day whenever I'm experiencing something that I think would be important for me to look at later on. You know, whether it be for writing lyrics or just for a memory, like, 'Oh, my gosh, I can't believe I was feeling that way at that time'.
It's so weird, like, it's not like Gamergate is the only bad thing to happen to me. I've been homeless before, I've had to come through other stuff. A profoundly abusive childhood, but at least that stuff feels like I got to move on from it, that stuff is in the past.
What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat,’.... And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.
There are certain writers I can't read when I'm trying to write because their voices are so distinct. Cormac McCarthy, he's the most different writer from anything I've ever written, but there's something about those really spare sentences that is just tough - it would be too much of an influence. Grace Paley is my favorite writer. Her stuff is so voice-driven, when I read her a lot I want to make my writing more voice-y and dialogue-heavy. I love a lot of stuff in translation.
If you gather a lot of stuff, then you write it, write in scenes with dialogue. Somewhere in the middle, rising from all this research like strong metal towers, is your opinions.
I don't like my wrestling or entertainment in general to be too clean or predictable for me as a fan. When I say clean, I'm not talking about dirty jokes, middle fingers and stuff like that. I'm actually not even a big fan of that. A lot of people talk about the attitude era being so great but a lot of it was terrible crap, sex jokes and over-the-top terrible bad comedy. It was Jerry Springer-like. They made a joke about a woman's breasts. Hilarious, but where's the wrestling? I look back on a lot of stuff now, and I'm like where's the wrestling? It's just a lot of crappy jokes.
This site uses cookies to ensure you get the best experience. More info...
Got it!