A Quote by Justin Tranter
For the most part, it's straight white men running these labels and publishing companies.
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There's definitely some sort of dissent brewing between labels, publishing companies and artists. A lot of it has to do with older licensing schemes.
There's definitely some sort of dissent brewing between record labels, publishing companies and artists [about the compensation they get from streaming services] Spotify is returning a HUGE amount of money [to the record labels]. If we continue growing at our current rate in terms of subscriptions and downloads, we'll overtake iTunes in terms of contributions to the recorded music business in under two years.
If most of the reviewers are white cis men, if most of the distributors are white cis men, most of the executives in history have been white cis men. Most of the people who have been giving awards to people are people who've already been in the business - retired white cis men. They've been creating a body of narrative forever.
Booksellers are tied to publishing - they need conventional publishing models to continue - but for those companies, that's not the case. Amazon is an infrastructure company; Apple sells hardware; Google is really an advertising company. You can't afford as a publisher to have those companies control your route to market.
I think publishing's strength is also its weakness. It's got such a rich and celebrated history as an industry. For the most part, publishing people are incredibly creative, business is done based on the strength of relationships, and the product being peddled is books.
Labels are for the things men make, not for men. The most primitive man is too complex to be labeled.
Sometimes you are at the mercy of record companies or publishing companies.
I think people don't really actually talk about what their real issue is, which is that white, cis men - not straight men, but cis men - have had their hands on the narrative ever since filmmaking has begun.
I think labels for the most part want to sign new discoveries so that that label alone is seen to be responsible for the rise of the artist. Not many labels want bands who have already made their mark, because their success is usually attributed to some other label somewhere else at another time.
I don't agree with the way labels are set up. I don't agree that anyone should sign 360 deals or sign away their publishing or take most of the infrastructure that's included in a formal deal.
When you label them, when one of the most powerful social media companies in the world labels people as Nazis, you could make the argument that's inciting violence.
To the extent that '60s guys own things, yes... but I don't have the publishing, just like most '60s guys, and that was an error, you know... part ownership in publishing was the kind of era that started a little bit later, when real businessmen started to manage artists.
However, white male privilege means white men are not collectively denigrated/targeted for those shootings - even though most come at the hands of white dudes.
In real life, I knew that fandom was made up of women, and women of color, and women of all ages. But on the publishing side of comics, it was a lot of white, straight men. It was often jarring to me to be the only women at a meeting or at a panel at a comic-con. Fortunately I had mentors who were not blinded by my gender and who said, "Yes, we know you can write these books." That hasn't been the case for everyone. What gives me great hope is that in the eight to nine years since I've started, I've seen tremendous growth.
The government at all levels is overly represented by white men. That's part of the problem, and I'm a white man.
I feel that most gay men are so much more in touch with a certain kind of sensitivity that heterosexual men aren't allowed to be in touch with, their feminine side. To me they're whole human beings, more so than most of the straight men that I know.
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