A Quote by Justin Tranter

Being a songwriter, you are accepting that this isn't about you. If you do want it to be about you, you're going to be really miserable. — © Justin Tranter
Being a songwriter, you are accepting that this isn't about you. If you do want it to be about you, you're going to be really miserable.
I don't mind being labeled as a political songwriter. I've chosen to do that. What really annoys me is being dismissed as a political songwriter. That really pains me, because life isn't all about love; it's not all about politics, either. It's a beautiful mixture of events that absolutely baffle you, and you think, "Why can't I do something about that?", whether those events are in your bedroom, or out there in the wide world. In our daily lives we engage with them at different times, and I'm trying to write about the whole human experience, or my perspective on it anyway.
You're giving up. You're slipping into being miserable and if you are being miserable, then it's all about you again. But it's not all about you. Love doesn't work that way.
One of the greatest tools you have as a songwriter is anonymity. If someone knows too much about the songwriter, they don't get to insert their own characters. I don't want the audience thinking about the gay guy who wrote the song.
I always was really confident about myself, about my voice, myself as a person, my body, all of those things, but as a songwriter - I just didn't identify as a songwriter at all.
If your ex is making things up about you, he's obviously miserable. It's just like, 'Wow, this person really cares to go out of their way to start a rumor about me.' I've dealt with it so much, obviously. The first couple of times, it really sucks. But then [they] just come out with something else. If you dwell on it, it's going to make you miserable. Just move on and laugh it off.
One of the beauties about going solo was being able to start from scratch and say, 'What do I really want? What kind of band do I really want? What kind of live show do I really want to stage?' Without any of the baggage of being something with history.
I have to feel that I'm going somewhere all the time. By definition, if you have this urge to go places, then you can't be 100 percent happy where you are. It's not like I enjoy being miserable for weeks on end. But I think it's good to be miserable for about one day every third week - that's ideal for me.
I come from musical theater, and a lot of musical theater is about accepting fantasy. I think it is more about just being open and accepting.
The idea of massive amounts of fame-having my face on Walgreens end-caps and pizza boxes-I don't fantasize about that. I'm happy with just being a songwriter. I'd rather have smaller numbers [of fans] that are really into what I'm doing than a massive amount of people that don't really know what I'm about.
The good thing about New Orleans is that, overall, it's an accepting place. It's accepting of eccentricity, it's accepting of excess, it's accepting of color, in the sense of culture, not necessarily in the sense of race.
You know, this country today, it seems to me - it's about fear. And it shouldn't be about fear. It should be about hope and optimism and creativity and accepting a challenge and being a moral leader and being a great nation.
The things you learn from sports - setting goals, being part of a team, confidence - that's invaluable. It's not about trophies and ribbons. It's about being on time for practice, accepting challenges and being fearful of the elements.
I think when you're really passionate about something, and maybe not every person is like this, but I think there's a large group that feels deep inside, I want something different, I want something more, I want to go on my own path. It's being comfortable being uncomfortable. Because to do that, you're going to have to jump outside of the comfort zone and it isn't going to be perfect. It's going to be scary. And to me, that's when great things happen.
Sometimes what seems like surrender isn't surrender at all. It's about what's going on in our hearts. About seeing clearly the way life is and accepting it and being true to it, whatever the pain, because the pain of not being true to it is far, far greater.
In rock 'n' roll it's really about being as vulnerable as possible and giving them what they want. But onstage it's about pausing, about internal life, it's about internal triggers - that's one of the reasons I'm really challenged to do a play.
I wanted to be a songwriter.I didn't so much want to be a performer.I more grew into that just from being a songwriter.
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