A Quote by Justin Trudeau

I sort of locked into the idea that if I could be the perfect son to both of my parents, well maybe that would be enough to keep them together. And ultimately, obviously, it wasn't. Regardless of what I tried to do. That was a lesson about limitations.
My parents are very unusual characters, both of them - they're both only children, and they're great, but neither of them are the sort of standard idea of a parent, and not of Jewish parents.
But I’ve never seen the Icarus story as a lesson about the limitations of humans. I see it as a lesson about the limitations of wax as an adhesive.
Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.
Later on, when I tried to imagine how I might have ruined things, that would occur to me - that I'd so rarely resisted, that I hadn't made it hard enough for him. Maybe it was like gathering your strength and hurling your body against a door you believe to be locked, and then the door opens easily - it wasn't locked at all - and you're standing looking into the room, trying to remember what it was you thought you wanted.
Because if their own parents didn't care enough about them to keep them, who would want them in Heaven?
Just concentrate on the performers. Make sure you get the performers, and that's it. That's all we need to do." And I was thinking, "Well what if you do both? Of course the performance is important, the writing is really important. But what if you could have the perfect marriage of making it look really slick as well?" I think that's kind of what I tried to develop as a style, and Spaced was the first TV show I did where all the elements came together.
While the idea of taking you right now, against the wall, is enough to make me lose control, I want you to know that I’m serious. You’re not a hook up. You’re not a friend with benefits. You’re more than that to me.” I closed my eyes, breathing heavily. “Well, that was…really sort of perfect.” “I’m really sort of perfect … Everyone else knows that. You’re just a little slow on the uptake.
My parents always have taught me 'you're good enough'. So, whenever I got bad comments from the judges, or I'd get on the Internet and read what bloggers have written about me, I would get so down, and I would get so sad. The biggest support group was obviously my parents, and I'd call them. And they'd build me up.
The format of the book was the idea of my wonderful editor, Stephen Segal. Stephen and I had worked together before, on projects for the Interstitial Arts Foundation, and when he got the idea for an accordion-style book, he called and asked if I could write the story for it. I told him that I would love to try! And I knew it had to be a love story, because that's the sort of story you really want to hear from both perspectives. I mean, imagine if Pride and Prejudice were told from Darcy's perspective as well as Elizabeth's. It would be quite a different story!
The visuals and the audio, could stand by themselves in a way. But the whole idea of the thing, is that they would exist together. So I think together, they're way more of a stronger thing. You could listen to just the music, or just watch the video, but I think it would really mean... obviously it would just be half the experience.
The secret knowledge is there's nobody home but us chickens. The Constitution was written by a bunch of regular guys who tried to get together and thrash out a contract under which they could get together that would keep people together.
I’m increasingly attracted by the idea that there can be at least small pockets where life and character and beauty and meaning continue. If I could help protect one of those from destruction, maybe that would be enough. Maybe it would be more than most people do.
I'm a Jewish son of Russian-Hungarian heritage parents. Humor was very important. My whole goal was to make my parents laugh. And my whole strategy as a young man was, if I could make them laugh, I could have enough time to figure out what to do next.
You know the troubles I've had with my two older children. I can't understand why it turned out so badly. I tried to give them everything. I loved them and tried to keep them near me, even when they didn't return my love. Well, I couldn't make them love me, but they could have shown some respect. I couldn't insist on love, but I could insist on respect.
I've tried really hard to care about things that were very different from my parents. I was curious if I could care about [money] on some fundamental level, and I couldn't. That wasn't the metric of success I wanted in my life. I've talked about this to my friends who are doctors and whose parents are doctors, or who are lawyers and their parents are lawyers. It's a funny thing to realize I feel called to this work both as a daughter and also as someone who believes I have contributions to make.
I've always liked the idea of inventing stuff. My father told me, because I was naïve, I would think things could work and therefore do them, because I would have no doubt even though there was no solid foundation for this confidence. I don't think I would be a real inventor. But when I set out to do animation, which was my first step into film-making, I realised I could achieve this idea. I could take some elements, create a sort of clumsy invention, and make them work for the camera.
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