A Quote by Justin Vernon
I don't feel anything about it. I really like "Staring at the Sun" - I like that song a lot. I haven't heard a lot of their records, but I know that they're cool. I know that the people who listen to them are really awesome and I like those people, so I know that I would like the band, I just don't own their records.
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I really like the last three Luna records a whole lot, especially 'Penthouse.' I think of all the records I've done, that's my favorite. I don't know why, really. I don't know why some records turn out better than others. It's not a science.
I'm not really sure why so much people still listen us. I think we live in an era when people get attached to stuff, and it means something. Then I think a lot of people heard about it over the years - like somebody's older brother might tell them, you know, because we're from his era, and he might be like, "You need to listen to this; this is what it's all about," you know what I mean? I don't know, man, it's hard to say. But it makes us feel special.
I don't know why we sold a lot of records or why so many people came to see us. Like 'Sabotage' - would you put that song on, like, 'I'm gonna listen to that right now?' It's a weird choice.
It feels good, you know. It feels like you're out there, you know, doin' your own thing, know what I'm sayin'? It's like, people can't really compare it to anything, and that kinda feels good. It opens me up to a lot of different arenas, a lot of different type of situations, you know like Tony Hawk will call. You know what I'm sayin'? I can just image if my songs was about shootin' up, and like sellin' cocaine, I doubt Tony Hawk would be callin' you know?
What's really cool about 'This is Me' is that our friends loved the song. Older punk rock fans don't know 'The Greatest Showman,' haven't seen the movie. And they hear that song and they're like, 'This just sounds like an awesome New Found Glory song. This is a really good song.'
When I was growing up, I didn't really know much about being popular or cliques or anything like that. In elementary school and middle school, you start to kind of realize what it's all about. There are cool kids, and then there's you, and you're just trying to figure out where you fit in.I learned a lot about acceptance and rejection,Those are the themes that you'll find spread throughout my music and weaved in throughout all of the lyrics. I really know what it's like to be accepted, and I also know what it's like to be rejected. And those are lessons I learned in Wyomissing.
The culture's changed massively. The kids are different, with the phones and stuff. Even if you like a song, you don't really know who the artists are, it's a lot more faceless, it's a lot less tribal. When we were growing up it was much more tribal - it was rock, it was grunge. Now people like songs, [but] they don't necessarily know the song's origins. I don't know how you would feel angry at the world, or distressed, because most people are constantly distracted or consumed.
I have a feeling a lot of the records I grew up listening to and the records I still like, as hard as musicians worked making them, I feel like they were really enjoying what they were going through. They weren't just going through the process. You can tell that with certain things that you listen to.
It's funny because a lot of people that know me as a dancer, don't know that I'm a singer, and a lot of people that know I can sing don't know I can dance. And so, I feel like at some point I have to show them both and really be able to display it and showcase it, and put that out there.
Not to be rude to my sisters, but I don't listen to drag music. I listen to everything from punk to Italo disco to Appalachian country music, but I don't know what their records sound like. I hardly listen to my own records. I'm like Cher!
A lot of people hear the records on the radio, they aren't absolutely sure who exactly Tears For Fears is, they just know they like the song.
I just remember lot of men running around in little tiny gold shorts! The format - it was kind of hard. You really have to know about pop culture and I'm not really knowledgeable about a lot of those things. I know what I like. They'd ask about Gwyneth Paltrow, and I don't know anything about her, except her mother. I know who her mother is. So you really have to be current and relevant.
I listen to a lot of songs, and they aren't talking about anything. I don't connect with them. I'll listen to something like Musiq Soulchild's 'Just Friends,' and I'm like, 'Wow, I really feel what he's talking about.' That's how I want people to feel about my music.
I feel like it's so, sort of representative of a generation. I mean everything that they talk about in the books are things that I get. Even like a lot of the Canadian references because I've worked in Canada a lot, so I totally know Sloan and I know, you know, all this stuff, and meeting Chris Murphy was really cool, and yeah, everything.
People think it is all about country music, and I know a lot of country music has come out of there, but like Blonde on Blonde by Bob Dillon was recorded there. A lot of great records; R&B records, jazz records. It's a lot of great players and great studios.
The first listen is very important to me. Half of my favorite records just hit you in the face immediately with something memorable and within three-and-a-half minutes you know you've heard something really special. I want to make records like that, but it's a big challenge.
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