A Quote by Justin Vernon
If it wasn't for this person's privacy, I'd be able to talk pretty freely about this subject on a personal level. The record's about not her. It's about my struggles through years of dealing with the aftermath of lost love and longing and just mediocrity and just bad news, like life stuff. And in the [record], where the title comes from, the lyrics are actually a conversation between me and another girl, not this Emma character.
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Well the first record is something that you just put so much into. And the second record, people always talk about the sophomore jinx and everything, but I was still able to get through it and still focus on what I needed to do and make timeless music.
'Far Beyond Driven' was a record that was probably ahead of its time, and to this day, it still sounds as fresh as just about any other band that's out there. It was a record that was pushed to another level.
I don't think about the record, because winning games has to be our focus, and if we lost focus thinking about that record, I would really regret it. How will I feel later on? People tell me it will mean a lot after I retire, for the kids and me. But to me, it's just a stat. It's something people enjoy talking about. Me? I just enjoy playing.
I love seeing the videos of people who go and talk to these neo-Nazis because they're like, 'I'm just here to have a conversation and understand.' Having a conversation about it and talking about your emotions without judgement. You have to be able to be completely open, because they're not going to be, but you could turn a new leaf in their life.
The lyrics just come out, and I don't know where from. I'm an incredible failure in relationships. I think there's a romantic ideal that I'm aspiring for. I don't know. The lyrics are always about unsuccessful relationships. They're not all about the love between a man and a woman. It's about friendship and family. Deep down there's a lot of talk about general existence.
I didn't worry about my career ending, but there were days where I felt pretty beat up by it all and just pretty tired, because they didn't make it easy for me. And coming right off the last lawsuit, it was the last thing I wanted to get involved in. When it was over, we didn't really celebrate, we were just exhausted. I lost all interest in the record business and never wanted to do anything except hand in a record again.
I was able to notice in a very early stage, there were discrepancies between the people who are writing the songs and discrepancies about the self that I was writing about. I was feeling that there were all these different people, both writing the record and having the record being written about them, even though ostensibly it was me sitting down and documenting a series of life experiences. Part of that, when I recognized this unconscious thing I was doing, was about these spaces, about these gaps.
I love those preliminary conversations about who a character is. You try on wigs, shoes and clothes. It's preferable when it's not about looking pretty. It can get a little dull to just be cute. We talk about things like, maybe my character can't afford these Christian Louboutins.
I'm super happy to see the record doing its thing and for people to like it, but for me, I had a great victory just as a person. I overstepped countless obstacles by creating that record. And the record's a metaphor for the personal steps I [took] throughout the past year.
There are a lot of polls that show that actually Americans have a pretty high opinion of teachers, that Americans think teachers are just about as prestigious as doctors. And yet there's this political conversation - this reform conversation - that paints a very negative picture of the effectiveness of the teaching population. So there's definitely a tension between the way teaching is talked about and understood at the political level and how everyday average Americans think about teachers.
I'm not a big fan of that kind of stuff - of Twitter and Facebook. I just feel like I'm a very private person and I do enjoy personal interaction. It is nice to be able to talk with the fans, in person. I don't know if it's 'cause I'm just old-fashioned, but I'd rather a face-to-face conversation.
I talk about things I'm passionate about. I talk about the wrestling business, because I love wrestling. I just love it. If I can just have good conversation with a guy who was a bada** wrestler, we're talking about something that's very near and dear to our heart.
So it's not really whether you talk about politics, but how well were you able to do it. Peter Gabriel and Sting get away with it...U2...the examples are there, of people being able to carry these subjects in the music, and the audience is absolutely able to embrace subjects that aren't just the stuff they already know about. And they're actually able to learn stuff.
In fact, after Donald Trump won, some of the relief of finishing record was to turn off all the politics for a while. There were some songs that had more of the political stuff that we just decided to wait on and put aside. A few weeks after the election, I stopped watching cable news and just unplugged. My way of dealing with the new situation we're in was to just work on something that I care about.
I'm not like most comedians. I don't deal with just heckles - I'm also dealing with threats and anger. Here I am, a brown person on stage being quite blunt. I talk about white privilege; I talk about U.S. imperialistic practices; I talk about colonialism. I'm not saying things that are easy for people to laugh at.
I'm a very outgoing person so I like girls who are not afraid to be themselves. I'm not a shy person and when I hang out with a girl, I want to be able to talk to her. At the same time I like a girl I can have a conversation with - as opposed to me sitting there talking away because she won't open her mouth. I like conversations and I'm a really big sucker for personality.
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