A Quote by Justin Vernon
The falsetto stuff, it must be a reaction to the black gospel singers that I really enjoy listening to.
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I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do - and obsessive listening. I think that's the core of my work on music - has been just listening to things and listening to singers.
People like Clyde McPhatter who came out of the black churches - like Sam Cooke and Aretha Franklin - were all church singers who became great pop singers because gospel singing is very close to the blues.
I just essentially stayed at home for three years and just learned to play as many instruments as I could and listened to as many singers as I could. Like, when I got to about 19/20, I started listening to singers. I normally just listened to bands. Now I listen to a lot of old singers, not a lot of new stuff.
Those old Appalachian singers use a falsetto sometimes. They can change their voices to sound high or low or really scratchy. When you're singing, usually you're trying to express some kind of pain or joy. I think that voice allows me to do a lot more of that.
Listening is not merely hearing, it is receiving the message that is being sent to you. Listening is reacting. Listening is being affected by what you hear. Listening is letting it land before you react. Listening is letting your reaction make a difference. Listening is active.
My dad loved black singers. So listening to New Orleans music, eventually I wanted to play an instrument.
My favorite singers in the world have been black singers, and you can go to any church and hear the best singers in the world - and I'm a singer, and I love singing!
Everyone knows Earth, Wind & Fire. We know 'September,' all the big sort of hits from going out and dancing and stuff. When I was developing St. Lucia, I really started listening a little bit deeper, listening back to their stuff from the '70s and '80s, and really dug into it.
I do listen to more jazz and gospel than anything else, but my ears are still very much open and listening to stuff that comes out. And a lot of times my kids turn me on to stuff.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
I'm a natural baritone, so I had challenges in that middle range, which would be that tenor area, singing in my natural voice. And I worked on that. But basically the falsetto thing, I didn't even know it was a falsetto until a music teacher commented on it, that I had a very nice falsetto. I didn't even know what it was. I said, 'Oh, OK.'
I really enjoy doing charity, for a good cause, it's like the least I can do, I really enjoy that stuff. I enjoy giving back.
I really enjoy doing charity, for a good cause, it’s like the least I can do, I really enjoy that stuff. I enjoy giving back.
I enjoy very traditional stuff, and I enjoy kind of outlandish stuff, and I just really like clothes. I always have.
Singers are definitely getting their due in Bollywood. I feel that music composers, on the other hand, tend to lose out on the popularity, fame, and success that singers usually enjoy.
The stuff that I do and enjoy is normally quite similar to a lot of the stuff that psychics and spiritualists would enjoy themselves. I just have a different approach to wanting to find out how things really work, or a sense of, I guess, responsibility about honesty and so on.
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