A Quote by Justina Chen

You know, there are easier ways to meet a guy than to run him over. — © Justina Chen
You know, there are easier ways to meet a guy than to run him over.
It's easier in some ways being on the life raft and the other guy's in the boat and you can row alongside and be supportive. In some ways, that's an easier role.
The DCU Constantine has to be the guy we know and love, with his same failings - otherwise what's the point of using him? But as I'm writing him, he's younger and has perhaps been through a bit less than the battered, aging old sod we meet in Vertigo.
Kimbo Slice the man, you watch the YouTube videos of this guy in backyards, and they start fighting and you think this guy's a thug. You think he's a bad guy, you have this perception of him and then you meet him, it isn't true. It's the exact opposite. He's a really good guy.
Sometimes you meet a really nice guy, but no matter how you try, you can’t seem to make yourself want him. But that’s not nearly as bad as when you meet the wrong guy, and you can’t make yourself not want him.
Alright...here's the deal. What's happening in this piece is very simple, over here on this side...you see that there is a very scared little kinda guy over there...wanna know why he's scared? Because this guy over here is trying to eat him.
I'll meet a guy now, and the next thing I know they'll be sweating and their hands will be shaking. And I feel so bad - I don't even know what to say to them. Then there are other guys who come on too strong, and they're just all over you. The nice ones are the ones who are in-between - the ones who aren't scared and who aren't all over you.
Ask any guy if sex is important in a relationship and the one who says no is lying. I just haven't met that guy yet. When you meet him, let's get him in to the Smithsonian - he's that special and rare.
I asked no odds and I give none. A guy got in my way, I run over him.
No, but ..." But I had felt something from another person. Someone who spent time with Alec. The last card in my head flipped over. "I know who it is. It's him. That guy." "Of course," said Carter dryly. "I knew it was that guy. It's always that guy.
Once I start to do a film, it has inferences. If a guy walks down a street and kicks a dog, you're saying something about that guy. A guy walks down the street and somebody's about to be run over and he shoves him out of his way and gets hit by the car himself, you're saying that guy's a hero. You can't avoid making certain statements.
Character assassination is at once easier and surer than physical assault; and it involves far less risk for the assassin. It leaves him free to commit the same deed over and over again, and may, indeed, win him the honors of a hero in the country of his victims.
It's easier to poke holes in an idea than think of ways to fill them. And it's easier to focus on the 100 reasons you shouldn't do something rather than the one reason you should.
The movies are fun, but I'm a novelist. In many ways, screenwriting is much easier than writing novels. I find screenplays twenty times easier to write than a novel.
Sometimes you meet a really nice guy, but no matter how you try, you can't seem to make yourself want him. But that's not nearly as bad as when you meet the wrong guy, and you can't make yourself not want him. You feel hollow inside, just waiting and wishing and dreaming. You feel like every moment is leading to something so amazing that there's no name for it, and if you could just get there with him, it would be such a...relief. It would be all you'd ever need.
You let a guy take care of business. You leave him in a space. You don't want to run up to him and say, Yo, man, you can do this. You can knock this free throw down.' You just let a guy do what he does.
I usually call the new guy and let him know where I like to sit on the bus, tell him ways he can stay out of my way, make sure he knows not to touch any of my stuff.
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