A Quote by Justine Bateman

That first CS class I took, I felt like I was drowning. It's like being taught how to swim by being thrown off deck. The continual self-talk that I have had with myself while I've been here is, pull yourself together and get this done.
I felt a certain modicum of success because I had been paid well to be an actor for the first time in my life, but I felt like I had done adolescent work on the show, and stepping into the New York theater arena was the first time I felt like I'd come into my own. I felt like I was proving myself in a gladiatorial arena.
I'd go to swim practice, put my face in the water, and I didn't have to talk to anybody. Swimming was like my escape, but it was also like this huge prison because I felt like I had to swim up to people's standards.
When I moved to New York at 22, I didn't know what I wanted to do. I took an improv class, and the first scene I did, I felt like 'I want to do this for the rest of my life.' It was the first time I ever felt like that about anything. I tried to make a living off improv.
Id go to swim practice, put my face in the water, and I didnt have to talk to anybody. Swimming was like my escape, but it was also like this huge prison because I felt like I had to swim up to peoples standards.
I had vied for a championship; I had been involved in being a No. 1 contender, and having runs where I got close but I never got there. Being able to finally get there and be the guy to carry the load and carry it for a while, I felt like I arrived, and it validated my career.
Don’t ever leave me again,” I said in a tiny voice. I won’t,” he promised into my hair, sounding most un-Fang-like. “I won’t. Not ever.” And just like that, a cold shard of ice that had been inside my chest ever since we’d split up-well, it just disappeared. I felt myself relax for the first time in I don’t known how long. The wind was chilly, but the sun was bright, and my whole flock was together. Fang and I were together. Excuse me? I’m alive too.” Iggy’s plaintive voice made me pull back.
I know you only get one chance to make a first impression in a city - and I was so disappointed in myself for how that first season in New York had gone. It felt like a blown opportunity. It felt like I'd cemented my reputation in the opposite way that I'd wanted to. Selfish. Not a leader. Not a winning player.
Being in the special forces has really broken a lot of the limitations I thought I had. Thoughts like 'We've done this much, so we should take a break now' were ones that I had to ignore and overcome in my training. They taught me how to keep going, no matter how difficult a situation can get.
I've died so many times. I'm 65. On my 40th birthday, my girlfriend gave me a reel with ways I had died, whether it was by knife, or electrocution or drowning or being thrown off a building or whatever it might have been. I've died a lot of times!
Something in my gut twisted so hard that it felt like I was being tickled by an invisible hand, and it took me a moment to realize what it was. Hope. It had been so long since I'd felt it that the sensation was like something living inside me, something wonderful waiting to break free, just like I was.
On my first trip to India, my guru took me to an ashram in Allahabad. I felt like I was walking into a place I had been before. It felt like it was my spiritual home.
I was 12 and I remember every­thing. I mean, I had done two films before that. The first was actually with Amy Heckerling. It was so brilliant to work with her on my first film. Atonement was the third one I'd done, and I remember how it felt to arrive on set every day. I remember how it felt to get my wig off at the end of the day. I remember how hot it was.
Its funny because when I did feel like I came out and I just felt like I was being truthful to myself, (it was at) that point I became very successful. So you know, it took a true kind of facing that truth of myself and being honest, that was when the real kind of fame or whatever that kind of stuff happened for me.
Post 9/11, brown people had this force pushing us together. It's like we're all being looked at with fear and suspicion; we're all being targeted, so how do you support yourself and your communities?
I taught a class about the Tony Awards at a summer theater camp the year after I graduated from high school. So, the first time I was nominated for 'Spring Awakening,' it felt like a surreal dream: it was every childhood dream I had come true. It felt like a fairy tale.
I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.
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