A Quote by Justine Bateman

There's an attention paid to the fame - the sort of sheath that's on you, this sort of cloud that's covering over you - and that's what people want to touch. It's not even really you that they want to touch.
Literature is about getting in touch. It sounds so hippie, but it really is about sharing stuff. We are a community that doesn't seem to be important for the rest of society, but we are people who want to get in touch - really in touch. We want to be thinking together.
I want to be able to touch people's heart through my music. I want to bring a smile on every face. In my own humble, small way, I want to touch lives.
I just want to touch people's ears. I want to touch people's lives. I want to give them something they can release to towards their anger.
I've been doing this stuff for so long it's the one aspect of my life that I've paid attention to and really sort of not paid attention to the rest of it.
A lot of singers don't really know who they are. They have this massive insecurity and this massive ego and they are sort of pulled between both. I mean, why do you want a lot of people to look at you all the time and listen to you? There is something going on there, there is sort of need to express and attention. It's not just ego, it's some sort of complex thing and sometimes you create characters to say something you want to say and then you just throw yourself into that.
You have nothing. One should never allow themselves to think that they have, one can just touch - to have is to lack appreciation, to touch is to want to touch again.
You touch the world even if you do not want it to touch you. -Leona Montgomery
I've tried everything but celibacy, and I really want to know what it feels like to be touched by someone with a mental touch and not a physical touch.
I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
I wasn't that close to any of my teammates. I didn't find anyone to become a best friend. We don't stay in touch. They're all over the country, but I do not want to stay in touch.
You have such a sacred responsibility when you touch John Lewis's story, when you touch the story of the movement. You don't want to leave anything out, but you want to tell a good story so the people will read it and they're engaged and they don't fall apart with extraneous details.
'I want to touch people but if I touch them in real life they'll slap me.' That's what writing isit's a gross person getting a hug.
I think people got in touch with me either knowing my work, or probably more frequently just knowing a plot or sort of buzz about something I did and sort of saying, "Get that guy that writes the crazy stuff in here."
Do you want to see what human eyes have never seen? Look at the moon. Do you want to hear what ears have never heard? Listen to the bird's cry. Do you want to touch what hands have never touched? Touch the earth. Verily I say that God is about to create the world.
There are moments in 'Body Snatchers' that touch the sort of thing that I find scary... like isolation and the inability to trust even familiar things. But - is that a horror movie - or a thriller? I don't really know the difference.
The sane man knows that he has a touch of the beast, a touch of the devil, a touch of the saint, a touch of the citizen. Nay, the really sane man knows that he has a touch of the madman.
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