A Quote by Justine Kurland
It seemed clear to me early on that one of the things a photograph could do was make a reality, and I wanted to do that. I always think of looking inside an Easter egg and seeing a perfect world.
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I think I’ve said this before many times—that photography allows you to learn to look and see. You begin to see things you had never paid any attention to. And as you photograph, one of the benefits is that the world becomes a much richer, juicier, visual place. Sometimes it is almost unbearable — it is too interesting. And it isn’t always just the photos you take that matters. It is looking at the world and seeing things that you never photograph that could be photographs if you had the energy to keep taking pictures every second of your life.
You never create a scene around the Easter egg. The Easter egg is always just, 'Oh, there's an opportunity for something that the fans will enjoy if they can spot it.'
I always wanted to make an abstract photograph. I would photograph walls, sports interiors, marks on the walls people made. Even looking back it makes so much sense. It's like it was a fight against the photograph.
We always have a traditional Easter egg hunt on Easter Sunday. My Aunt Lynne organises that for the family, so we go to her house in Hampshire and it gets ever more elaborate every year.
Before, the myth of photography doesn't lie was used in order to cover up tricks. If I [make a] portrait [of] you, accommodate you, illuminate you, put make up on you or use a filter, am I not manipulating reality? The only difference is that now I can do it from the computer in the postclick instead of the preclick. If I decide to photograph something instead of something else, I also manipulate reality. Of course a photograph can lie or commit abuse, but it always could.
At Spago, we make all of our pasta from scratch with egg yolks, so I'm always looking for new ways to play with egg whites.
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
I have been criticized a lot for not looking perfect in every photograph. I'm not embarrassed about it. I'm proud of it. If I took perfect pictures all the time, the people standing in the room with me, or on the carpet, would think, 'What an actress! What a faker!'
I could feel myself changing physically. It was like something dropped out of the sky. Seeing her on the fire escape had given me a certain feeling, and then when I saw the photograph of her, it gave me a similar feeling. And I thought that was an incredibly powerful thing - that a photograph could give you a feeling that was similar to a feeling you had in the physical world. Nobody could've told me that. I knew what I was going to do for the rest of my life.
He actually came up to me and we started speaking. And from that conversation we were able to come to a meeting of the minds and it seemed as if it was clear to me that he wanted to do similar things to what I wanted to do.
This is all me. That's why all my products come in this dragon egg literally 'cause I'm like, I laid an egg for you, girl. Every little last detail is so Nikita and extra and wild. I'm creating things I've always wanted to see in the beauty industry.
God works in mysterious ways. Things may look good outwardly, but there may be evil contained inside. Let no one be deluded by pride that he himself has conceived good ideas or done good deeds. If everything were as it seemed, the Prophet would not have cried out with such illuminated and illuminating perspicacity, Show me things as they are! You make things appear beautiful when in reality they are ugly; You make things appear ugly when in reality they are beautiful. Show us therefore each thing as it is lest we fall into a snare and be ever errant.
All I wanted was to live a life where I could be me, and be okay with that. I had no need for material possessions, money or even close friends with me on my journey. I never understood people very well anyway, and they never seemed to understand me very well either. All I wanted was my art and the chance to be the creator of my own world, my own reality. I wanted the open road and new beginnings every day.
I really tried, or so I thought, to avoid lying, but it seemed to me that they forced it on me by the difference in their vision of things, so that I was always transposing reality for them into something they could understand.
The eyes sparked a lot of things for me, it could be somebody remembering something they had witnessed or heard about, or it could be the person in the photograph that was experiencing a tragedy or it could also be the spectator looking on from a safe distance.
School and things that painters have taught me even keep me from painting as I want to. I decided I was a very stupid fool not to be at least paint as I wanted to and say what I wanted to when I painted as that seemed to be the only thing I could do that didn't concern anybody but myself. I found that I could say things with colour and shapes that I couldn't say in any other way things that I had no words for.
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