A Quote by Justine Skye

Sometimes people won't be able to relate to you if you look like you're straight out of a full blown 'Vogue' magazine every time they see you. — © Justine Skye
Sometimes people won't be able to relate to you if you look like you're straight out of a full blown 'Vogue' magazine every time they see you.
I don't really relate to myself as The Girl in the Magazine. Which is dangerous for me, too, sometimes, because I don't think all the time, 'Well, look to see if people are following me home.' Sometimes I'm a little bit more free than maybe I should be.
I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we're doing. By investing in them, I'm investing in the magazine. All over 'Vogue,' 'Teen Vogue,' and 'Men's Vogue,' there are people who have been through not only my office but also many other offices at 'Vogue.'
Vogue Magazine does something really interesting here: They make it look like I know exactly what I'm doing. Because Vogue made it look like I knew exactly what I'm doing, stores from all over started calling.
When 'Teen Vogue' started out, 'Teen Vogue' was an aspirational fashion magazine for fashion lovers. You know, it was the little sister to 'Vogue.' And over the years, we've realized that our mission was really to become more focused on making this an inclusive community that speaks to every kind of young person.
When I hit Hollywood, it was full-blown. I was a party boy. It amazes me that I made it ... to be able to have led this amazing career when I was out every night. Every once in a while I'll see old reruns of myself and I see I'm giving it my comedy best, but with dead eyes - no sparkle. I was in the middle of all that abuse. But now I'm a recovering alcoholic with many years of sobriety.
I don't feel pride when I look at a magazine spread I did for Vogue, but writing is really satisfying to me. I can go so deep into people's interior lives, slowly and with complexity, over years and years sometimes. That's very rewarding, in a way that modelling never was.
I have a 6-year-old daughter, and we never look through magazines. But when we're on a plane, that's the one time we have screen-time and magazine-time sometimes. And I do not open a magazine with her without saying: 'Now remind me, are these real pictures?'
What does patience mean? It means to look at the thorn and see the rose, to look at the night and see the dawn. Impatience means to be short sighted as to not be able to see the outcome. The lovers of God never run out of patience, for they know that time is needed for the crescent moon to become full.
By the time I came to the States, I really understood how a magazine works. I came to 'Vogue' as creative director, and three years later I went back to London to be editor in chief of British 'Vogue.'
I remember watching Swan Lake and everybody looking exactly the same, but being able to relate because they were the only company I had ever seen even on video that had Asian dancers. The Asian community in Hawaii is actually almost as dominant as the Caucasian community. I thought "I can relate to that company because they look like people that I see every day." They weren't all little stick-thin Russian ballerinas.
My mum had 'Cosmopolitan' magazine as a subscription and 'Vogue,' and every month I would be like, 'I wanna be that girl in that ad.'
People create their own questions because they are afraid to look straight. All you have to do is look straight and see the road, and when you see it, don't sit looking at it - walk.
Everybody likes new shoes! It is a new feeling, going onto the pitch, so it is great to be able to wear them straight out of the box. They are comfortable straight away and move with you. I could not do that with my old shoes. So every time I have a big match, I want new shoes straight out of the box.
Human beings look separate because you see them walking about separately. But then we are so made that we can see only the present moment. If we could see the past, then of course it would look different. For there was a time when every man was part of his mother, and (earlier still) part of his father as well, and when they were part of his grandparents. If you could see humanity spread out in time, as God sees it, it would look like one single growing thing--rather like a very complicated tree. Every individual would appear connected with every other.
I do everything by hand... Even if I'm doing really big letters and I spend a lot of time going over the line and over the line and trying to make it straight, I'll never be able to make it straight. From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.
I feel like sometimes people see us as like robots and out there expecting to win every time. But, in reality, that's not how it is, and it's not that easy.
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