A Quote by Justine Skye

When the Rocawear team reached out and wanted to make me the face of La Belle Roc, I was super excited! — © Justine Skye
When the Rocawear team reached out and wanted to make me the face of La Belle Roc, I was super excited!
Clemency is the surest proof of a true monarch. [Fr., La clemence est la plus belle marque Qui fasse a l'univers connaitre un vrai monqrque.]
I am just a poor boy, though my story's seldom told, and I have squandered my resistance, for a pocket full of mumbles, such are promises. All lies in jest, still a man hears what he wants to hear and disregards the rest...la-la-la-la-la-la-la-lala-la-la-la-la...
Y a-t-il plus belle parodie de l'éthique de la valeur que de se soumettre avec toute l'intransigeance de la vertu aux données du hasard ou à l'absurdité d'une règle?
Honestly I'm excited for whatever team wants to draft me, and I'm excited to make an impact right away.
I grew up in LA, and I don't think I've seen LA onscreen in a way that felt real to me. There are definitely movies, but they are few and far between. I wanted to see a movie that was set in LA that wasn't about the film industry. LA is such a lonely place to be alone. In New York you can just walk out and be among people. You're on the subway among people, you go to cafés, you can talk to people. In LA, no one talks to each other, you're in your house, you're in your car, even when you take walks there's no one on the street.
I am super excited to be a part of the Matador team.
Christmas was a miserable time for a Jewish child in those days, and I still recall the feeling. ... Decades later, I still feel left out at Christmas, but I sing the carols anyway. You might recognize me if you ever heard me. I'm the one who sings, 'La-la, the la-la is born.
The body, in 'La Belle Noiseuse,' was the source of the artist's creativity.
With 'The Leftovers,' I was actually super, super lucky. It was my first major audition. When I came out, the casting director was kissing me on the face, and I was like, 'Oh, that's probably a good sign.'
I just wanted to do my own albums where nobody could tell me what to do. Roc Nation was the perfect fit because I could do what I wanted to do.
When the media would call and want to interview me, I thought it was 'cause they really wanted to find out what I thought about things. I thought it was because they really wanted to find out who I am. That's not what they wanted. They already in their minds knew who I was and they didn't like it, and they wanted face-to-face opportunities to expose my defects and my problems and my racism and bigotry and all this.
I'm super-into sappy movies like 'La La Land' and 'Midnight in Paris.'
My team in Orlando was a team full of people who nobody wanted, and I was the leader and I led that team with a smile on my face.
I'm super excited about health care; I'm super excited about education - major industries where AI can play a big role.
My passion is music, you know, and music influences culture, influences lifestyle, which leads me to 'Roc-A-Wear'. I was forced to be an entrepreneur, so that led me to be CEO of 'Roc-A-Fella' records, which lead to Def Jam.
I am really excited and thankful for opportunity to work with Cotto Promotions, Tidal and Roc Nation.
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