A Quote by Justus Kohncke
One of my favorite occupations is making radio/video edits. I love singles.
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I always had problems with making singles because I'm not a singles type of guy. I never needed radio to blow me up. I'm a street legend.
Yeah. When I was in high school I used to do stupid video edits. I would hook-up two VCRs or three VCRs and do film edits for the basketball team and stuff like that because I was always just into doing that.
I want to be able to take singles, serve them up to radio on a silver platter and just have them smoke - just obvious great-sounding, great-feeling radio singles.
If you just focus on making singles, you lose the personality of the record. Because everything is not meant to go to radio.
To someone who's more of a surface fan, their favorite songs are the singles. But, we're the kind of band where a lot of the songs that aren't the singles are crazier live.
Because most people are not sufficiently employed in themselves, they run about loose, hungering for employment, and satisfy themselves in various supererogatory occupations. The easiest of these occupations, which have all to do with making things already made, is the making of people: it is called the art of friendship.
I think, hands down, the number one person I would love to have in a video is Beyonce. I think the perfect video for me - I could die happy and I could never make a YouTube video again - would be to do a video called 'Bey-Oz-ce' and mix 'The Wizard of Oz' and Beyonce together because those are my two favorite things in the world.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
When you're in a friend circle, you all kind of talk the same way. And it's hard to do on-the-fly radio edits of yourself.
Radio in my beginning days was going into a room for four hours, playing a bunch of music, and screaming about the artists... radio now has come out of the radio, on to the net, and on to video and on stages; it's a multiplatform thing. It's nothing I expected ever to see.
Not every song of Lynyrd Skynyrd's was a single, but songs like 'Tuesday's Gone' and 'The Ballad of Curtis Loew' and 'Made in the Shade,' 'I Need You,' people learned those songs from the radio because radio played albums, not just singles.
Nada Surf and Harvey Danger are good bands. I think they've just stayed true to why they play music in the first place, it's just because they love doing it and they love each other and that's the impetus for doing it, not trying to keep singles on the radio and on MTV.
My favorite makeup look was for my 'Eyes Wide Open' video done by Torsten Witte. It was so dramatic and definitely captured the magic of the video.
I do love listening to singles casually, but that moment, the thing I'm mining the singles for, is something that makes me dig deeper and find a layered offering that allows for discovery after discovery.
I love making music, but I also love making music that's on the radio. In some circles, that is considered less artistic. And I've always tried to resist those people that say the two can't exist at the same time.
I just kept it real and had the freedom to do what I want. It's not designed for any age group. It's not made for radio. There are no edits. The whole album contains explicit lyrics but that's because you need it.
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