A Quote by Juvenal

He who meditates a crime secretly within himself has all the guilt of the act. — © Juvenal
He who meditates a crime secretly within himself has all the guilt of the act.

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For whoever meditates a crime is guilty of the deed.
The guilty is he who meditates a crime; the punishment is his who lays the plot.
Theatre has nothing to do with buildings or other physical constructions. Theatre - or theatricality - is the capacity, this human property which allows man to observe himself in action, in activity. Man can see himself in the act of seeing, in the act of acting, in the act of feeling, the act of thinking. Feel himself feeling, think himself thinking.
One of the less attractive aspects of human nature is our tendency to hate the people we haven't treated very well; it's much easier than accepting guilt. If we can convince ourselves that the people we betrayed or enslaved were subhuman monsters in the first place, then our guilt isn't nearly so black as we secretly know that it is. Humans are very, very good at shifting blame and avoiding guilt.
The experience of a sense of guilt for wrong-doing is necessary for the development of self-control. The guilt feelings will laterserve as a warning signal which the child can produce himself when an impulse to repeat the naughty act comes over him. When the child can produce his on warning signals, independent of the actual presence of the adult, he is on the way to developing a conscience.
Whatever guilt is perpetrated by some evil prompting, is grievous to the author of the crime. This is the first punishment of guilt that no one who is guilty is acquitted at the judgment seat of his own conscience.
For whoever meditates a crime is guilty of the deed. [Lat., Nam scelus intra se tacitum qui cogitat ullum, Facti crimen habet.]
I say guilt, gentlemen, because it was guilt that motivated her. She has committed no crime, she has merely broken a rigid and time-honored code of our society.
He could deal with his guilt all by himself. Guilt didn't add up to love, an emotion she was done with forever.
Man knows himself only insofar as he knows the world, becoming aware of it if only within himself, and of himself self only within it. Each new subject, well observed, opens up within us a new organ of thought.
Happy the man, of mortals happiest he, Whose quiet mind from vain desires is free; Whom neither hopes deceive, nor fears torment, But lives at peace, within himself content; In thought, or act, accountable to none But to himself, and to the gods alone.
Before 'Veronica Mars,' I was not, and probably am still not, much of a crime reader. My mom left out a copy of 'Helter Skelter' when I was 10, and I secretly read it, and then I spent all my teenage years afraid of hippies. I kept away from crime books for, like, ten years.
A sentence of death and infamy was often founded on the slight and suspicious evidence of a child or a servant: the guilt [of the defendant] was presumed by the judges [due to the nature of the charge], and paederasty became the crime of those to whom no crime could be imputed.
The community does not fight crime well by chasing it; after-the-fact, crime has won and the target of violence is injured or worse. Crime is fought best not by chasing it, but by facing it before it can become a completed act. Crime is fought best at the scene of the violence.
We should distinguish between responsibility and guilt. Guilt only touches the ones who committed the crimes but the son of a criminal is not a criminal himself.
Oh how will crime engender crime! throw guilt Upon the soul, and like a stone cast on The troubled waters of a lake, 'Twill form in circles round succeeding round; Each wider than the first.
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