I want to make films without a single clear message, and films that are as close as possible to what it feels like to be alive. At least to me.
The message films that try to be message films always fail. Likewise with documentaries. The documentaries that work best are the ones that eschew a simple message for an odd angle. I found that one of the most spectacular films about the Middle East was 'Waltz With Bashir,' or 'The Gatekeepers,' or '5 Broken Cameras.'
With the passage of the COVID-19 Hate Crimes Act, we are sending a loud and clear message - we must reject all forms of anti-Asian discrimination and hate.
[Steven Spielberg's films] are comforting, they always give you answers and I don't think they're very clever answers. The success of most Hollywood films these days is down to fact that they're comforting. They tie things up in nice little bows and give you answers, even if the answers are stupid, you go home and you don't have to think about it. The great filmmakers make you go home and think about it.
I want to make films that are political and social. Films with a message or an idea. Films that dare to ask.
For me, poetry has a strong link to my filmmaking. My films learn from my poetry. In poetry, you're free. You start in the corner and you don't know where it leads you. I have no message, I have nothing I want to tell, I just start and I see where it leads, and it's a big surprise and relief if it's good. That's the ideal state for filmmaking.
The church today is riddled with fad doctrines and new sounds that distract from the clear message of the Great commission in the New Testament. Any message that attracts you which does not bring glory to Christ is the message of a seducing spirit and the man giving it is in deception.
Temples are places of personal revelation. When I have been weighed down by a problem or a difficulty, I have gone to the House of the Lord with a prayer in my heart for answers. The answers have come in clear and unmistakable ways.
In order for answers to become clear, the questions have to be clear.
I have a message from the Tea Party, a message that is loud and clear and does not mince words. We've come to take our government back.
I can teach anybody how to get, what they want out of life. The problem is that I can't find anybody who can tell me what they want. Once you are crystal clear about the intended end result that you seek to produce, all the ways that it can become a done deal start to reveal themselves to you. There are many who have accomplished exactly what you want to achieve and could show you the way. You are not ready to ask them because you are not clear and you have not determined which questions need answers.
When it comes to films, people often don't differentiate between the message of a bad central character and the message of the film itself. They are two separate things.
What's the message in Metallica? There is no message, but if there was a message, it really should be look within yourself, don't listen to me, don't listen to James, don't listen to anybody, look within yourself for the answers.
My films require that the spectator ask the big existential questions. If you're not interested of turning inwards for answers, my films won't fulfill their whole purpose.
The Tenth Commandment sends a message to socialists, to collectivists, to people who believe that wealth is best obtained by redistribution, and that message is clear and concise . . . Egalitarianism is sinful; it's also cowardly.
'Boomerang' is all about coming back from the hate and not listening to the hate. It really tells a message.