A Quote by K'naan

My question about my art and my music has always been, 'Am I good, or am I good because?' I'm not the artist who wants to have the 'because' attached. — © K'naan
My question about my art and my music has always been, 'Am I good, or am I good because?' I'm not the artist who wants to have the 'because' attached.
I have always been reasonably anonymous, but I suppose that has gone with the success of 'Homeland.' I feel a lot more visible, which is good and bad. Good because I am getting recognition, but I am slightly apprehensive because I always enjoyed my anonymity.
When I am doing music, I sometimes become over compulsive to 'always make some new music'. I think I am like this because I sense what others are perceiving me as. If I work extraordinarily hard because of these expectations, I will, but I just cannot produce the good music that I want.
Am I R&B because I'm black? Am I pop because I have a song called 'Milkshake'? Or can I just be who the hell I am? Good Lord, people make it seem like we're doing heart transplants here, but we're just making music!
If I'm not putting out music, I'mma be producing for everybody. I got an artist named Mike Slice. He's nice, and he's real good. I'm doing a bunch of production for all the artists in the industry because I'm as much as a producer as I am an artist.
I think we identify ourselves by labels or things that we are able to do: I am this. I am a good cook. I am a good mother. I am a good this. I am a good doctor. I am a good lawyer. When you can’t do those things anymore, you wonder where your identity is.
I try to physically and mentally immerse myself in whatever it is I am doing. That is good for me as an artist. I am always looking for that part that I have never done before, which makes it all the more difficult, because people want to hire you for what they've already seen you do.
My equality rants have been out there so much that people must be getting sick of it, and frankly, so am I, but if a writer wants to do another story about it, then go for it, because the cause is a good one.
I try to physically and mentally immerse myself in whatever it is I am doing. That is good for me as an artist. I am always looking for that part that I have never done before, which makes it all the more difficult, because people want to hire you for what theyve already seen you do.
I am a workaholic. I am very restless, and I am always looking for good work. I don't act for the heck of it; I do it because I love it.
Running has taken me in, and continues to comfort, heal and challenge me in all kinds of magical ways. I am not a 'good runner' because I am me. I am a good 'me' because I am a runner.
I am no longer afraid of becoming lost, because the journey back always reveals something new, and that is ultimately good for the artist.
After all those years in the business, I asked myself, 'Am I really any good? Or am I only good because I'm with good people - a Murray Pearlstein, a Ralph Lauren?
I am 100-films old. In my heyday, I have done a lot of commercial films, including dancing around the trees with the heroine. But after working with Rituparno Ghosh, my understanding of cinema changed. Whatever good I am doing, it is because of him. If I am being called a good actor, it is only because of him.
Society takes what it wants. The artist himself does not count, because there is no actual existence for the work of art. The work of art is always based on the two poles of the onlooker and the maker, and the spark that comes from the bipolar action gives birth to something - like electricity. But the onlooker has the last word, and it is always posterity that makes the masterpiece. The artist should not concern himself with this, because it has nothing to do with him.
The public needs art, and it is the responsibility of a ’self-proclaimed artist’ to realize the public needs art, and not to make bourgeois art for the few and ignore the masses. … I am interested in making art to be experienced and explored by as many individuals as possible with as many different individual ideas about the given piece with no final meaning attached. The viewer creates the reality, the meaning, the conception of the piece. I am merely a middleman trying to bring ideas together.
For me, self-love is like: Am I sleeping enough? Eating well? Not: Am I eating well to be able to fit into my skinny jeans? But: Am I eating well to be healthy and strong? And to acknowledge the good, because there is always a lot of good.
This site uses cookies to ensure you get the best experience. More info...
Got it!