A Quote by K'naan

Somalis really are very musically sophisticated, and they're about their own thing. — © K'naan
Somalis really are very musically sophisticated, and they're about their own thing.
Your average pop song or film is a very sophisticated item, with very sophisticated ways of listening and viewing that we have not really consciously developed over the years - because we were having such a good time.
Your average pop song or film is a very sophisticated item, with very sophisticated ways of listening and viewing that we have not really consciously developed over the years - because we were having such a good time
People don't really care about lyrics anymore. It's kinda really sad, like they'll listen to something musically and has a really cool beat down or something, that's great, that's good enough; but the message is the most important thing.
We never wore burkas because Somalis had our own culture.
The thing about Canada is that it's a very large country, and the population's very spread out among different regions. Each region in the country really has its own personality and its own culture, you know? From West Coast to East Coast - wherever you go, it's almost like it's its own country.
The thing about places like Trinidad and Jamaica is that they can be very musically insular. There isn't much space for kids making hip-hop, electronic music, or hybrid genres.
I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really. And I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.
I think people are uncomfortable seeing pregnant women, particularly with any kind of conflict. [Pregnancy is] very much a projection of life and love, but it's also very complicated. People have very complicated pregnancies. They could be accidental or people suffer depression, and that was a really interesting thing for me. And a challenging thing. I have not been pregnant. I don't know what that's like, let alone to be really conflicted about it. Acting in the film about pregnancy was a really interesting thing to do.
Often when you get a really good script, and you receive the new pages, you see that the entire thing has been dumbed down. Films in the '30s and '40s, that were huge blockbusters, were very sophisticated in their language, and the ideas they brought. There were no questions about whether the audience would get it or not.
There's a big focus in the security industry on incredibly sophisticated attacks and on very sophisticated threat actors.
Somalis have made my city of Wilmington, Delaware, [ their home ] on a smaller scale. There is a large, very identifiable Somali community.
Balanchine is the number one influence for me. His work was really musically driven. He and Jerome Robbins were the ones who really showed me that dance could be about the inner relation between movement and music. When I was a student first seeing their work, I was like, 'Oh, this is a thing?'
It's not about the script: it's about who the director is and who the other people in the cast are. Because you can look at a great script and execute it in a very sophomoric way, and you can look at an OK script, and you can execute it in a very sophisticated way and come out with something really good.
I'm very focused on what I do professionally, and I'm very focused on my family, and I don't really get too stressed out about what people say or what other people think. In fact, it's not on my radar at all. If there's anything negative, I don't want to know about it. I just do my own thing and get on with my life.
I may never get my own action figure, but at least I think what I'm doing is really legitimate musically
I may never get my own action figure, but at least I think what I'm doing is really legitimate musically.
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