A Quote by K. D. Lang
I sort of believe that my voice was preordained; I'm a Buddhist who believes in reincarnation so I think that my voice is a few lifetimes old.
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[Someone] said that what I described as the Buddhist voice - the life-denying voice of censure and guilt - sounded to him very much like a Catholic voice. This is, indeed, a mystery, and it intrigues me, too.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
We cannot have peace on Earth until we learn to speak with one voice. That voice must be the voice of reason, the voice of compassion, the voice of love. It is the voice of divinity within us.
There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. It is a voice with love and without love. I like the voice, and though I can't talk to it, I like the way it talks to me. It says it is all the same, Young Man. Take it and let it be.
I believe a voice is a voice. I could wear a box on my head and still have a good voice.
I think what education gives you is a voice. It gives you a way of talking to a judge. When a policeman pulls you off to the side of the road, you have a voice. When you cross a border, you have a voice. When you are writing to express your opinions, you have a voice.
Most of the books that I've written have been focused on, sort of, the individual, and sort of, either a voice, a personal voice, or a kind of transforming event where they step forward to fight for something they value.
The poetry I love is written with someone's voice and I believe its proper culmination is to be read with someone's voice. And the human voice in that sense is not electronically reproduced or amplified.
I believe that poems are a score for performance by the reader, and that you become the speaking voice. You don't read or overhear the voice in the poem - you are the voice in the poem.
I've auditioned for animation stuff for a long time; that's a tough field to crack into. I don't think I have the strongest voice. I don't have a theater-trained voice or a radio voice, but I think I make good character choices.
Mark Twain is a voice of truth and a voice of equality and a voice of tolerance. Which means he is a voice of love.
I ask for a stonger and more devoted voice... a voice for good, a voice for the gospel, a voice for God.
It was only the matter of a new voice. Nobody listened to an old voice anymore. Old voices became a part of one's self, like a fingernail.
Hormone replacement therapy does not change or affect your voice. And I have no problem with my voice: I really like my singing voice, I don't feel any dysphoria with my talking voice.
I'll meet listeners who tell me what a great voice I have. But I don't have a great voice for radio. My voice is the utterly normal voice, but sheer repetition has made them think it's OK. Mick Jagger once was asked, 'What makes a hit song? He said, 'Repetition.'
It may be that 'the voice of the people is the voice of God' in fifty one cases out of a hundred, but in the remaining forty nine it is quite as likely to be the voice of the devil, of, what is still worse, the voice of a fool.
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