A Quote by K. D. Lang

I just try to speak passionately about things I'm involved in and moved by. — © K. D. Lang
I just try to speak passionately about things I'm involved in and moved by.
I speak passionately. I drive passionately. If I hit a ball, I will do it passionately, too. Because I don't understand how you go through life without involvement. Whatever I am doing in my life, whether big or small, I am 100 per cent involved.
I don't consciously try to take my readers on a journey as I don't really think about my readers when I'm writing. I just try to write what I feel passionately about, to tell a story down onto the page.
If people feel strongly and passionately about something, I'll let them speak strongly and passionately - I'm not going to tell them not to.
Speak in your own voice and speak about things that you have in some sense witnessed, not just things you read about or have been taught about in seminary. To talk about the resurrection, think about those moments where in some way you have been resurrected.
Chicago, I feel, is a microcosm for the segregated, violent environment that is America. I try to not only speak about these things in music, but also try to address these things in real life tangibly with action.
I feel passionately about measurement - about how difficult it is, about how much theory and conceptualization is involved in measurement, and indeed, how much politics is involved.
I try to leave a light footprint. I'm involved with Global Green, which aims to educate people about sustainable building and the greening of schools. I try to be aware about the consumption of unnecessary things in a consumptive culture.
I just feel passionately about a few things and particularly about helping artists get off the ground.
It's great when you have people who will speak passionately and honestly about what they are doing.
I don't speak with proper grammar. I don't speak with dialogue attribution. I don't speak with quotation. I don't care about any of that stuff. It's about rhythm, and it's about what's in their [the character's] head, and what feels more natural. And it's about speed. I want things to move.
People like Dick Gregory, Paul Robeson, Harry Belafonte and Nina Simone show me what the definition of an artist is - it isn't just to make art but to speak truth to what's happening, speak beauty into the world, speak love into the world and also... get involved.
I would passionately make the case that the harder the times, the more we need things that aren't just about keeping our job and making a buck - important though those things are. Arts programming isn't some sort of add-on or ornamental luxury.
I really wanted to go to a city and get involved in a theater scene and a theater community. I had some friends who had moved out to Chicago and had said really good things about it and about the work. I didn't care at that time about making money.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
I just owe almost everything to my father and it's passionately interesting for me that the things that I learned in a small town, in a very modest home, are just the things that I believe have won the election.
The only thing that works with writing is that you care so passionately about it yourself, that you make someone else care passionately about it.
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