A Quote by K. D. Lang

I don't sing anything that hurts my voice. — © K. D. Lang
I don't sing anything that hurts my voice.
Some people can sing, and they can sing sing, but Brandy can not only sing sing, but she has a voice and a tone that is unlike any other.
If you can sing, you never lose your voice. If you don't know how to sing, your voice goes away because you sing from your throat.
You are born with a voice. And in a way, you don't choose what you want to sing. It's the quality of your voice that matches a certain repertoire, and that's what you're going to sing.
I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.
The voice has been my joker card that sometimes has played like an ace and sometimes a joker. When you sing the way I sing, it's impossible to get people to talk about anything else.
I knew I could sing but I always thought everyone could sing, that everyone was born with a singing voice. Even when I was getting interest from singing, I just thought 'what about all these guys?' Yes, I can sing, I have a good voice but there's so many people that can and do.
When I was about forty-three years of age, I had a private secretary with a beautiful baritone voice. I told him I would give anything in the world if I could only carry a tune. He laughed and said, 'Anybody who has a voice and perseverance can sing.'
So much of what I love about poetry lies in the vast possibilities of voice, the spectacular range of idiosyncratic flavors that can be embedded in a particular human voice reporting from the field. One beautiful axis of voice is the one that runs between vulnerability and detachment, between 'It hurts to be alive' and 'I can see a million miles from here.' A good poetic voice can do both at once.
I'm a geek when it comes to my voice. I know if it hurts, something's wrong. You shouldn't feel it! It's very important to look after your voice.
Someone once asked me why people sing. I answered that they sing for many of the same reasons the birds sing. They sing for a mate, to claim their territory, or simply to give voice to the delight of being alive in the midst of a beautiful day. Perhaps more than the birds do, humans hold a grudge. They sing to complain of how grievously they have been wronged, and how to avoid it in the future. They sing to help themselves execute a job of work. They sing so the subsequent generations won’t forget what the current generation endured, or dreamed, or delighted in.
Life hurts at times. It hurts to have a body at times, hurts to be born, hurts to live, hurts to die, but it can be ecstasy beyond comprehension. You can know that ecstasy. It is inside of you.
I'm not just a voice who wants to sing on anything. I co-produce, I want to select who comes in and plays on what songs, who to duet with and all of it.
I always surprise myself with my voice. A lot of people don't get it, and they're like, 'You can't sing. Stop. What are you doing?' And it's funny to hear a lot people say I sing in falsetto because it's not falsetto - that's my voice.
When I was young, my voice was so strong, and I would annoy people because I had such a loud little voice. And then it changed, and I thought I wouldn't be able to sing again, because I thought you had to sing like Christina Aguilera to be a singer.
There's very little I can sing now. When I asked my first voice teacher, who was the best one, "When will I know when to stop singing?" he said, "Your voice will tell you." And it is very, very difficult to sing now.
I would have loved to sing opera, but I have no voice. I used to sing along with records.
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