A Quote by K. Eric Drexler

Nature draws no line between living and nonliving. — © K. Eric Drexler
Nature draws no line between living and nonliving.
There is no clear distinction anywhere on the Earth's surface between living and nonliving matter. There is merely a hierarchy of intensity going from the 'material' environment of the rocks and the atmosphere to the living cells.
There are transitional forms between the metals and non-metals; between chemical combinations and simple mixtures, between animals and plants, between phanerogams and cryptogams, and between mammals and birds [...]. The improbability may henceforth be taken for granted of finding in Nature a sharp cleavage between all that is masculine on the one side and all that is feminine on the other; or that any living being is so simple in this respect that it can be put wholly on one side, or wholly on the other, of the line.
The world, nature, human beings, do not move like machines. The edges are never clear-cut, but always frayed. Nature never draws a line without smudging it.
The seams, the laminae between the various worlds the past present and future as well as the living and the nonliving may not be as distinct and clear-cut as we have been taught or as our somewhat arbitrary clocks and calendars have led us to believe.
Perhaps the problem is the seeming need that people have of making black-and-white cutoffs when it comes to certain mysterious phenomena, such as life and consciousness. People seem to want there to be an absolute threshold between the living and the nonliving, and between the thinking and the "merely mechanical," ... But the onward march of science seems to force us ever more clearly into accepting intermediate levels of such properties.
Teaching well draws from the same well that writing draws from: the reserves of compassion and ability to listen and concentrate on another. So I have to have fine line between teaching and writing. I try not to ever think of career. I just try to go to the dream world every day.
We now know that sex is complicated enough that we have to admit nature doesn't draw the line for us between male and female, or between male and intersex and female and intersex; we actually draw that line on nature.
Everybody has a wicked side, whether they are six or sixty, and yet so often storytelling draws a sharp line between good and evil.
A master in the art of living draws no sharp distinction between work and play.
After all, isn't that what really draws the line between childhood and adulthood, knowing that you are solely responsible for yourself? If so, then my childhood ended at fifteen.
Tektology was the first attempt in the history of science to arrive at a systematic formulation of the principles of organization operating in living and nonliving systems.
Man is not by any means of fixed and enduring form (this, in spite of suspicions to the contrary on the part of their wise men, was the ideal of the ancients). He is nothing else than the narrow and perilous bridge between nature and spirit. His innermost destiny drives him on to the spirit and to God. His innermost longing draws him back to nature, the mother. Between the two forces his life hangs tremulous and irresolute.
There is a fine line I have to walk throughout the writing process in a novel. It is this line between drama and melodrama, and it is this line between evoking genuine emotional power and being manipulative.
What line breaks add to prose prosody is a connection between eye and ear which emphasizes the nature of the language by ... creating units of intent and emphasis, and by contouring the meloding pitch changes in the narrative-line.
One method of destroying a concept is by diluting its meaning. Observe that by ascribing rights to the unborn, i.e., the nonliving, the anti-abortionists obliterate the rights of the living.
There lay between them, separating them, that same terrible line of the unknown and of fear, like the line separating the living from the dead.
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