A Quote by K. Flay
When I first signed to RCA, I was sort of excited and shocked that it was happening. But over the next couple of years, it really started to feel like that game you play when you're a little kid - the one where you put your nose on a bat and then spin around and try to walk.
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As a kid growing up, I was so in sync as a fan that that served me well through the years. I can feel the game. And I try to match where the game is with my inflection, with my - the tonal quality, with getting excited.
Nobody gets excited when they see me. If I put on my wizard outfit and walk around the airport for a couple of hours, I get a couple of puzzled glances.
There's not a Sunday that goes past that I'm not excited to play this game. I feel as if I'm a lucky individual to have the opportunity to play this game, and when I do have the opportunity to finally play, you can bet your last dollar I will be excited to play.
It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.
When you first saw 'The Truman Show,' did anyone else walk around for the next week not picking your nose just in case?
My goal simply was to have an impact, to try to make a contribution and help the team win. I wasn't thinking, 'I want to play well, so I start the next game.' But every kid's dream is to play in the World Cup. Watching at home with your parents when you're 10 years old, you never think you'll be there in the future.
'Gatekeeper' was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I haven't written many like that.
The only thing I do to my bat is put some tape around the handle to build it up a little bit because I broke my finger about six years ago and can't really close it the way I want to. Other than that, the same bat, same Louisville Sluggers.
First I was still excited and elated about winning the Rhodes scholarship. That was an amazing feat. But then I put my iPod on and started listening to my pre-game music and started to switch my mind to football and was just hoping that the jet would land as quickly as possible so that I could get on the field and help my teammates win the game.
Gatekeeper was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I havent written many like that.
When I first started playing in a youth football league, I was the worst kid on the team. I quit the first year. And then the next year, I was still the worst kid - I didn't even play.
When I was coming up, it was the golden age. It was Julia Roberts and Meg Ryan, and Reese Witherspoon was starting. You really had, 'Who is America's Next Sweetheart?' every couple of years. And then this sort of bromance slacker thing took over.
Everyone's disappointed when they don't feel like they play well or they make a mistake. I'm the first one to hold my hand up and try and rectify that in training or the next game.
I think if you really put your mind to something you can do it. Five and a half years ago I couldn't stand on stage and play guitar. I didn't have enough talent as a kid to play guitar. I started really late. I hired a guitar teacher when I was in Nashville and I applied myself and stayed focused.
My grandparents were classic Indian grandparents. My grandmother would put so much powder on her face that it was like a Kabuki play and she'd come down the stairs. I was like 8 or 9 years old. My grandfather apparently had no teeth because he would take out his teeth and put them in a glass, and then he would try to scare me with it. I started to try to scare them when I was a little older.
Being a teenage model was lot of fun, like playing dress-up. I'd feel ugly and awkward and chubby, and they'd transform me. Not that that makes everything better. Then my mom shopped the pictures around, I guess, and the agencies started calling. I wound up going with a little agency, Spectrum. It all happened really quickly, I started modeling for magazines like YM and Seventeen, and I did a couple of bigger things like Italian Vogue.
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