A Quote by K. Flay

I liked that music was a window into a world with a lot of unpredictability and chaos; it was almost diametrically opposed to my very regimented day-to-day living. — © K. Flay
I liked that music was a window into a world with a lot of unpredictability and chaos; it was almost diametrically opposed to my very regimented day-to-day living.
It's a difference of living your life for passion and not for a paycheck. I worked almost all the time, but it was something I loved so much as opposed to a job that I didn't love, where you're skating in at 8:59 A.M. or 9:10 A.M. and leaving the second it hits 5:00 P.M. If you're assigning a dollar value to what you're willing to put up with as opposed to doing what yields you in this world - I have been a whole lot happier when I've been a whole lot broker. Money doesn't define happiness; it's what you do every day that does.
My main influences - I loved art. I sounds a little pretentious to say I was into art but I liked drawing. I liked music; music was my outlet from day one. I was giving you an image of Ireland being this dull, grey, massive unemployment, not much going on and the future was the dull queue or - and, for me, the window of hope was music and books. So I fell in love with sort of T-Rex and David Bowie very young. They sort of said, "Hey. You don't have to live in this north side of Dublin that's all grey and depressed. You can be a spider and go to Mars."
The good thing about India, and the good thing about Melbourne, is that it's very, very hard on this planet of ours to find two places that are almost diametrically opposed.
I really liked Glasgow. I really liked living there for a year. It's a very fun city, and it has a lot to offer young people who are interested in music and art. It's a very creative city.
Why do alcoholics begin down the same hazardous road day after day? They are in search of that elusive window of well-being that opens when you drink your way out of a hangover and aren't yet drunk all over again. The alcoholic's day consists of trying to keep that window open.
We live in two worlds - order and chaos. In the world of order, we plan, reflect, and think about what to do next. In the world of chaos, things happen, we get things done, yet unpredictability persists. In one world, we like to think we are in control. In the other, we mingle together with increasing complexity, conflict, and uncertainty.
I make music almost, like, every day. But I don't release a lot of music.
When you're making your living as a writer or an artist or a musician, you kind of live in a trance. You're sort of in the day-to-day world, you're certainly there for your day-to-day relationships with people, and so on.
As a human being, you can't not connect to the chaos that exists around the world on a day-to-day, or things that you've seen on the news just here domestically.
Generally, my life is absolute chaos, but when I'm writing songs, it's very thought out and regimented.
The idea that somebody out there is that eager to hear my music in advance can only be a good thing. But growing up, I always liked that system where "release day" was a big thing, and for bands I really liked, I'd know that date. It'd be on my calendar, and I'd go to the record store that day. Sitting down and listening to the record for the first time was a real event. I wish it was still that way, but that's not the way the world works any more.
I just find that you can become a very boring person living in L.A. I tell you, living there on a day-to-day basis is vacuous: terribly fake.
Day-to-day life is a lot of work. I work a lot on stand-up stuff, and then day-to-day life and, you know, just living. It's always different. Try to work out, try to stay in shape, and try to have some fun.
Awareness is very, very important because we're living in a world which is literally shrinking by the day. We are global citizens. So, for us not to be aware of what's happening to our neighbor is almost sad. Once you're aware, then you can decide what cause you want to dedicate your time to.
When I make music I try to be as honest as I can to how I experience the world. Like how you arrange a piece of music formally. I tend to observe a lot of chaos or whatever, the fragmentation and melancholy. That's the filter I synthesize my world view with. If I didn't formally have that chaos and it was really linear, it would make my skin crawl.
They never exhale, the trees; on a very windy day, they rustle and inhale, and then the leaves and the branches all tremble as though something means to strangle the life from them. The sky watches on. The world is filled with anticipation, as if to wonder if this day will be a great day, or a horrible day, or the last day.
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