A Quote by K. J. Yesudas
Before the '80s, no girl would ask to click a photograph. That was modest and demure.
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It's like he would take a photograph of Sam, and the photograph would be beautiful. And he would think that the reason the photograph was beautiful was because of how he took it. If I took it, I would know that the only reason it's beautiful is because of Sam. I just think it's bad when a boy looks at a girl and thinks that the way he sees the girl is better then the girl actually is. And I think it's bad when the most honest way a boy can look at a girl is through a camera. It's very hard for me to see Sam feel better about herself just because a boy sees her that way.
Yes, I know, shaming, isn't it? I always say you can take the girl out of the 80s, but you can't take the 80s out of the girl. Before I wrote my first novel, I was reading one of the self-help classics – and it's as cheesy as you like, so feel free to laugh, Guardian readers – called Awaken The Giant Within, by Tony Robbins, and it inspired me to try. I like motivational books, because I like the go-getting American spirit – your destiny is in your own hands, life is what you make it, don't accept your limitations, jump before you're pushed, leap before you look.
I thought if I was lucky it would be a nice, modest-sized, modest-budgeted film that would be a modest success. And then something happened.
The model is just one element of the photograph. There's also the location, the light - all that junk. It helps if the girl is really good-looking, but a girl can be not super good-looking and it'd still be a really good photograph. I ask people to send some photos of where they live if that's where I'm shooting. I go for shabby places over too-nice places, because most of these girls are going to look better if they're not made to look rich.
The decision as to when to photograph, the actual click of the shutter, is partly controlled from the outside, by the flow of life, but it also comes from the mind and the heart of the artist. The photograph is his vision of the world and expresses, however subtly, his values and convictions.
Damien is a friend. Their boy-girl Lego doesn't click, he would say.
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
I have this demure, girl-next-door image and audiences will not accept me in glamour roles.
I wait for the next opportunity to have something to do with food. If I get rested, my mind just starts creating new dishes - click, click, click.
Permanence can only be found in the immortality offered by the click of a camera. Like it or not, life moves on as fleetingly as the photograph is enduring.
I walk in the park every day, and when people come and ask for a photograph, I say, "Oh, my God!" It means they recognize that I have been doing something right and they want to have a photograph taken with me.
I always wanted to make an abstract photograph. I would photograph walls, sports interiors, marks on the walls people made. Even looking back it makes so much sense. It's like it was a fight against the photograph.
If I had the opportunity to speak to a young immigrant girl that just arrived to the U.S. the advice I would have for her would be: ask, speak, search; because there are opportunities out there. And, know that you aren't the only immigrant or the last to come to this country. Many that have come before you have succeeded. It is possible.
The Photograph is an extended, loaded evidence — as if it caricatured not the figure of what it represents (quite the converse) but its very existence ... The Photograph then becomes a bizarre (i)medium(i), a new form of hallucination: false on the level of perception, true on the level of time: a temporal hallucination, so to speak, a modest (o)shared(i) hallucination (on the one hand 'it is not there,' on the other 'but it has indeed been'): a mad image, chafed by reality.
If you were to ask me to define a photograph in a few words, I would say it is a fossil of light and time.
I myself have participated in girl-on-girl shows for men that would ask for it, of which were very, very many. It is a popular request, especially at bachelor parties. It also paid a much higher dividend. Also when I worked the escort services, certain male/female clients would call and ask for a male/male team and the escort services that I worked for provided this specific request.
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