A Quote by K. M. Soehnlein

It's a rare memoir that can tell a story that seems brand new, but Nina Here Nor There does it. This one-of-a-kind narrator undertakes a quest that is unmistakably timely. But in its yearning for awareness and connection, this book feels timeless.
When I set out to write 'I'm Judging You,' I wanted to create something that was both timely and timeless. But I didn't know how timely this book would be until we, the people of the United States, elected a walking Cheeto to the highest office in the land on November 8, 2016.
Schools are launching pads, launching our kids into their futures. Unfortunately, a lot of what we teach now looks identical to what we taught 40, 50, or 60 years ago. There's a need for both timeless curriculum content and timely content. What seems to be falling by the wayside is timely content.
I'm surprised how often I'm asked about being a man with a woman narrator. I'm not the first, nor will I be the last. It's been done forever, but we seem to forget that. The whole notion of "write what you know" is not just boring, but wrong. Lately it seems like every novel has to be a memoir. I'm a boring person, but I'm a writer with a relatively vivid imagination. And when people ask me about how I find the voice of a woman, I tell them that my life is run by women.
There is a book yearning to come out of me: about how we can build the new collaboration economy, and the role of 'openness' in our quest for efficient use of resources and as a driver of innovation.
You can very often start a new season with a lot more viewers than you had, leaving off the season before. It's a chance to pull the show into a train station, stop the train, and let all these new viewers on, so you can tell a new story. In some ways, a second season is a chance to tell a brand new story that you can wrap up, at the end of it.
Ezra clapped his hands. "all right," he said. "In addition to the books we're reading as a class, I want to do an extra side project on unreliable narrators." Devon Arliss raised her hand. "what does that mean?" Ezra strode around the room. "well, the narrator tells us the story in the book, right? But what if... the narrator isn't telling us the truth? Maybe he's telling us his skewed version of the story to get you on his side. Or to scare you. Or maybe he's crazy!
I feel that I'm an essayist and that my best work gets done in that form. I wanted to do a book where the essays could exist on their own terms. A book that was neither a book of essays that were shoehorned into a memoir, nor [one where] the essays had been published elsewhere first, [because] then they would kind of bear the marks of those publications.
By definition, memoir demands a certain degree of introspection and self-disclosure: In order to fully engage a reader, the narrator has to make herself known, has to allow her own self-awareness to inform the events she describes.
The difference between memoir and autobiography, as far as I see it, is that a memoir is there primarily to tell one particular story, whereas an autobiography tries to be a full account of a life.
In an age when all that was old seems new again, Bernard DeVoto's The Hour couldn't have made a more timely reappearance. This book reminds me of one of the joys of being an adult-cocktail hour!
I'd just recorded it in Mariah Carey's studio. THey thought the song was perfect for Nina, because she's so shy, so it was nice to have that connection with Nina in the song. It was special.
Not just a timely movie, a great one...Timbuktu feels at once timely and permanent, immediate and essential.
I think Taj and Nina were better friends, because they get along, they have a lot of fun and they laugh. But it seems that Nina and Jack really hit it off. Nina really fell in love with Jack. there's a lot of chemistry between them!
A vivid portrait of a teenage girl and her family in disarray. Meredith is a wonderful narrator, witty, feisty, full of yearning, and the story she tells is as complicated as life itself. This is a richly satisfying novel.
As Razam so aptly demonstrates, a new kind of traveler is emerging-one that embarks into the mysterious and uncharted domain within, where they aim to conquer their own hearts. Written in the tradition of a great adventure narrative, Aya Awakenings is a timely story for a new emerging era.
I think the major device for me is that narrator's voice. I'm always trying to find a different kind of form to tell whatever story it is, and I wish that weren't so, because it drives me crazy.
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