A Quote by K-Maro

I've always liked fashion but maybe not to the point that I was so sick about it that I wanted to draw my own things. — © K-Maro
I've always liked fashion but maybe not to the point that I was so sick about it that I wanted to draw my own things.
I always liked creativity, whether it was to draw or sew - any creative assignment I was getting from school, or just on my own. I love people and behaviors, and I'm interested and fascinated by why we do what we do. And I wanted to be a therapist, to be honest. Maybe wirking in film combines the two worlds, in a not super-linear way, but it definitely feeds both my two passions.
When you live in Paris, and fashion is such a point of pride for the French, it's always around and you're very much exposed to it from an early age. It was always something I knew about and really liked.
Making books has always felt very connected to my bookselling experience, that of wanting to draw people's attention to things that I liked, to shape things that I liked into new shapes.
I vividly remember my first 'Superman' comic, which my granddad bought me when I was about 7. From that point on, all I wanted to do is draw comics. And specifically, superhero and science fiction comics. Basically I used to copy comic books, and draw my own comics on scrap paper.
I've just always liked monsters, since I was a little kid. It was always the thing I found interesting. It's always what I wanted to draw; it's always what I wanted to read, and so, yeah, I don't know. It's a good question for a therapist, why I like monsters. But I tend to not question it. It's what pays the bills, so that's kind of nice.
When I draw the scene that I'd been dreaming about or had always wanted to draw, that is the time that I'm happiest.
I know this sounds weird, but I was into storyboarding when I was younger. I loved coming up with my own style through fashion blogs and magazines. But I've never liked trying things on. I don't know why. It was more about making mood boards. I've loved fashion my whole life, but more the imagery of it than actually wearing it.
When I was a child I liked watching shows about bounty hunters and Canadian Mounties. I liked the 'Lone Ranger,' I liked shows where the guy saved the girl from the villain. I just liked those kinds of things and I wanted to be a guy like that, you know, that would save the damsel in distress.
I have always liked drawing, when you draw you see things more intensely.
When I was a kid, I could draw, and my ambition was to be a cartoonist. I wanted to draw comics. But I also liked newspaper comics.
I studied fashion at the London College of Fashion. I get involved in it as part of my own styling, so if I wasn't a pop star maybe a fashion buyer or a stylist.
There’s this idea that somehow you’ve got to keep changing things, and as often as possible. Maybe if people just decided not to buy anything for a while, they’d get a chance to think about what they wanted; what they really liked.
I always had a separate life than just my work. I built my own family. I have my own hobbies and interests. I have a ranch with livestock and horses. I didn't always get my self-esteem and identity from acting. I never worked unless I wanted to. I never did anything just to do it, just for the paycheck. I always did things that I liked.
I always liked creativity, whether it was to draw or sew - any creative assignment I was getting from school, or just on my own.
I was obsessed with fashion when I was young. I thought fashion meant fashion design, and I thought I wanted to be a designer at some point.
I liked working with Republicans. We had five pretty good years after we had that bad year in '95 that culminated in two government shutdowns. But then they really decided that they liked being in the majority for the first time in forty years, and they wanted to get some things done, and I agreed, to get things I wanted. It was all perfectly transparent. Everybody knew what they wanted and what I wanted.
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