A Quote by Kacey Musgraves
If the lyrics are something new, then maybe I want to give it a more traditional form, or the other way around, but not have all one or the other.
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If there’s a thing, a scene, maybe, an image that you want to see real bad, that you need to see but it doesn’t exist in the world around you, at least not in the form that you envision, then you create it so that you can look at it and have it around, or show it to other people who wouldn’t have imagined it because they perceive reality in a more narrow, predictable way. And that’s it. That’s all an artist does.
I used to do more melodic stuff, and I used to do more actual rap - like traditional hip hop vocals. I think my method of storytelling has led me to this point, at which I want to pare down my style. I think I give the lyrics more thought, and then when I try to perform the lyrics over the track I'll try it over and over again, and eventually the lyrics will sink into the track by the way I project them.
The thing I absolutely hate is when directors don't know what they want, and then they ask you to do it this way, and then maybe that way, and maybe that way, because they haven't made up their minds what they want. So you're running around in circles trying to give them what they want.
I do think that people have an obligation to give back but that doesn't necessarily mean that you give back just the traditional way. Maybe there's new ways to give back and make a contribution. I'm looking forward to some mix of philanthropy - maybe through a somewhat different prism - as well as helping entrepreneurs build some significant new businesses.
I just hope that in some ways, 'Minari' can pave the way for other filmmakers, other actors, other projects that maybe don't fit within traditional boxes - if it helps those films get made in the future, I'd be so thrilled.
Do I start with the lyrics? No. Quite honestly, it's the opposite. I generally get the melody first - I kinda fiddle around on the guitar and work out a melody. The lyrics are there to flesh out the tone of the music. I've tried before to do things the other way around, but it never seems to work. Obviously, I spend a lot of time on my lyrics, I take them very seriously, but they're kinda secondary. Well, equal, maybe. I think sometimes that if you write a poem, it should remain as just a poem, just... words.
Something wonderful begins to happen with the simple realization that life, like an automobile, is driven from the inside out, not the other way around. As you focus more on becoming more peaceful with where you are, rather than focusing on where you would rather be, you begin to find peace right now, in the present. Then, as you move around, try new things, and meet new people, you carry that sense of inner peace with you. It's absolutely true that, "Wherever you go, there you are.
Instead of looking at the screen, what I want to do is to turn around and look the other way. When we look the other way what we see is a little hole at the top of the wall with some light coming out. That's where I want to go. I want to steal the key to the projectionist's booth, and then, when everybody has gone home, I want to break in.
We treat the lyrics like the woman any man wants to impress the most. We give the lyrics all the attention we can. I'm not sure other formats are remembering that the lyrics are what it's all about.
Journalism today is obviously in a major transition. Going to journalism school, learning how to write, working your way up in a little paper in Decatur, Georgia and then moving to Atlanta and then maybe to New York: it's just over. You have to have a whole other set of skills now. You have to be a videographer, you have to do social media. You can't do a long, thoughtful, insightful piece if you don't have the time to do reporting, particularly reporting around somebody who doesn't want to be known or an issue that doesn't want to reveal itself.
Maybe my way of showing leadership is a little more expressive and people see more from me than other players but I think at the end of the day, you have to have 25 leaders in the team if you want to win something.
Sometimes they threaten you with something - something you can't stand up to, can't even think about. And then you say, Don't do it to me, do it to somebody else, do it to So-and-so. And perhaps you might pretend, afterwards, that it was only a trick and that you just said it to make them stop and didn't mean it. But that isn't true. At the time when it happens you do mean it. You think there's no other way of saving yourself, and you're quite ready to save yourself that way. You WANT it to happen to the other person. You don't give a damn what they suffer. All you care is yourself.
I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.
In other fitness pursuits, you may have learned to go through the motions first and perfect your form second. In Pilates, it's the other way around. You learn to control your abs first and then proceed through a series of more progressive movements. At all times, you should feel in control of your body.
Normally, I tend to be a very binary filmmaker. You give me a problem and a destination and I say, "All right. If you want to get from here to here, there's a series of if/then's that will get you there. And if you have other stuff you want to do along the way, I'll give you all the if/then's that are caused by that."
Immigrants to America help us with the work they do. They challenge us with new ideas, and they give us perspective. This is still the nation that more people around the world want to come to than any place else. That has to tell us something about ourselves. If around the world this is the place people want to come to so much, maybe there's more here than many of us realize-and that many of us can take advantage of.
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