A Quote by Kacey Musgraves

Look at Loretta Lynn. Look at Jeannie C. Rily singing 'Harper Valley PTA' and Tammy Wynette singing about divorce. They were ahead of their times in a lot of ways.
When I lived in Nashville, Tanya Tucker and people like that were coming up, and I'm sure that Loretta Lynn and Tammy Wynette were going, 'What's that noise? That's not country.' It's always been this battle where whoever comes up behind the reigning stars isn't country enough. There really is a lot more crossover now.
Loretta Lynn, Tammy Wynette, Dolly Parton and I were the first female headliners, where we would book our own opening acts. Before that, it was a standing joke that it was more like we had 'pretty little girl singers' opening for a male headliner.
A lot of times, people say, 'You're so much like Loretta or Tammy Wynette.' But I feel kind of like one of the men. I'm like David Allan Coe. I've been to prison, man!
If you look at the other singers of Billie Holiday's time, they were really trying to entertain. They were trying to make people feel good. They were singing fast - and she was singing the blues.
I have the kind of personality that I always look ahead than look at what's happened. It does help a lot, especially when you've done badly or you've failed. It's instinctive of me that I look at what's next, I look ahead a lot, and start preparing for that, in victory and in defeat.
I look for songs that the listener, when they hear it, they believe what I'm singing about, that I know what I'm singing about. That's my whole deal. I try to choose songs that a male or a female can perform and relate to.
Ain't singing for Pepsi, ain't singing for Coke, I don't sing for nobody, makes me look like a joke.
The one thing I find about singers in the business is that they often don't get the right education. I hear a lot of them singing and when they get to 30, 40 years old they wont be able to sing because they are not properly trained. A lot of people singing from their throat instead of singing from their diaphragm.
If your neighbor looks at you like they don't enjoy the key you're singing in, look right back, bless them, and keep on singing.
As a kid, in the Runaways, I would see the interviewers start to ask about our personal lives and what we did — and I could see the look in their eyes. They were practically frothing at the mouth. So if I answered these questions, I knew they were never gonna talk about the music. It was like that instinct — don’t go there, man. Have boundaries. Have mystery. You don’t have to let everybody in! I want to be singing to everybody, and I want everybody to think that I’m singing to them. Guys, girls and everyone in between.
I liked 'The Help,' and I love Viola Davis. But I didn't think that film was a great film; I thought that was a very uneven film. I thought the Southern women were so caricatured that it was kind of like 'Harper Valley PTA' or something like that.
I hear a lot of people singing in funny voices and singing like they're stupid. Singing in a deliberately fey and dumb and childish way. And I find it to be a disturbing trend.
I have a penchant for Tammy Wynette and Dolly Parton.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
I make up stories in my head all the time, but I've never written them down. But I write a lot of story songs. Any song I'm singing, I sort of see it like a movie in my head. That's why a lot of times I close my eyes when I'm singing.
Choir singing's a wonderful thing for what ails you. There's a lot of meaning in a hymn if you think about it when you're singing it.
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