A Quote by KaDee Strickland

As an actor, there is always an opportunity to learn from the other actors you work with. — © KaDee Strickland
As an actor, there is always an opportunity to learn from the other actors you work with.
As actors, we have the opportunity to work with many directors. Directors only work with themselves and other actors. They never know what it is like to work with another director. So that relationship that one has with a director is entirely always the king.
Just to get the actors to relax, listen to each other, and actually affect each other, there are a number of techniques you have to learn, and they don't all work on every actor.
Well, an actor is an actor is actor, to paraphrase someone or other and the opportunity to work, to have a steady engagement, certainly seemed like an appealing concept to me.
I always felt that just being an actor is difficult. Being an Asian-American actor doesn't make it more difficult. I see it as an opportunity and a chance to help other Asian-American actors coming along.
Every film you work on is different, and that's part of what it's like for anybody who works on a film, is to learn how to work with others. Learn from top to bottom. Actors have to learn how to work with the director and the director has to learn how to work with actors, and that's not just those two departments.
With other actors, I have always been respectful. Ayushmann is an ace actor. I love everybody's work. We are an industry of professional actors and filmmakers. Everybody is here to make films. I feel very good about it. I don't have any negative or bad thinking.
The goal for me is always to have the opportunity to work in different genres. This is a great and exciting time in my career, where I can have the opportunity to work in different genres, and also I recognize there's not a lot of actors who have that opportunity and I'm grateful for it.
It doesn't matter if you work with an Oscar winner or if you work with an unknown actor. There is always a collaboration between the director and the actors, and you always have to listen as the actors have to listen to you as a director.
If you want to be an actor, my advice is to learn your lines and don't bump into the other actors.
Regardless of what level the actor's at, you always learn something. And you can learn something from bad actors as well, who I've also worked with in the past.
Every time I work, it's an educational process because I learn by watching other actors. My career is always going to be an ongoing study.
The caliber of actors I'm getting to work with and learn from on a daily basis is phenomenal for me as a developing actor.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be and you let them go. Some actors like to be nudged just a little bit. Some actors don't mind line readings.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children, you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be, and you let them go.
I'd prefer not to act in the film I'm directing. I think, though, as an actor, you do learn how to turn things on and off quickly and kind of compartmentalize. You learn to accommodate the camera and the other actors, to notice where the boom is and where you mark is, and be able to repeat something a few times.
Some actors come to casting and ask me, "Didn't you see my previous roles?" We do not work with actors like this. Their previous roles do not matter; I need the actual work with an actor in this particular character that has been written in our script. What matters is flexibility, believability and efficiency of an actor.
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