A Quote by Kaetlyn Osmond
I love the classic side of skating, making it look like a full program and not just technical based.
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We had discussions at the Department of Defense on the issues of utilizing and requesting the full skill of United States capabilities, both on the soft side and on the side of providing logistics and technical expertise... And, we as a country are extremely pleased with the announcement that we have heard, and we look forward to that cooperation as expeditiously as we can.
I love skating. I love the speed, the power, the excitement, the feeling that --- even for just a moment --- I can defy gravity and fly through the air. And I love the way that a great skating performance, like any work of art, can move an audience to laughter or tears.
I love working with film, whether it's the technical side, the acting side, or the musical side.
As an audience member, I like to watch what they're doing, and that's one of the reasons I love skating: because it's a performance, and I love to perform. That's my favorite aspect of skating.
Our waterboarding program is based on the U.S. military training program... tens of thousands of U.S. servicemen were waterboarded pursuant to this program to prepare them for the possibility of being captured someday so that they would know what it felt like.
My rule is always if you keep your basics classic. You can add seasonable and very trendy stuff and always look modern and updated, but if you're questioning something and its expensive, err on the side of classic.
I love classic looks and I love glamour. I love being able to switch to a classic day to a really really nice glamorous look at night.
I hope that people will one day look back at my skating and what I brought to the table. 'Remember when Patrick skated like this? Or remember when skating was like this?' That would be a cool legacy to leave behind.
Ramp skating has become the most popular televised form of skating because they can constrain it. They can judge it based on what's happening within this box of a ramp.
And then you start getting into the technical side of it and the aesthetic side and with those areas you can come up with new ways to visualise things, new ways to render and use the computer to make things look different and new and stuff like that.
When I was starting out, conceptual photography had become something that had to be amateur - like, that had to be black-and-white, or photocopied, or really not an object in order to be taken seriously. It had to work against technical mastery, and so on. So I think that my work is full of obstacles in the sense that it does look highly familiar and accessible. It does look like it's already "solved at first sight." It does look like it's part of a larger industry.
We have emphasized the importance of applied action research because it allows evidence-based policy and program development and a focus on learning. We are also committed to using a participatory approach in which local people, local program managers and providers, local researchers, women's health activists, and national decision-makers play the leading role. International "experts" from technical assistance agencies or universities can make important contributions, but they certainly don't have all the answers.
So the programs all start to all look the same. I watched one free skating competition, and I thought I was watching a short program. Everyone was doing exactly the same elements.
There're two different kinds of skating. There's the style skating, and there's the trick skating. He (Tony Hawk) does the trick skating so heavy duty, that he can overcome the style skating. There's always the chance that the style skater can come back, but the whole deal really is learning tricks.
Whatever career you're in, assume it's going to be a massive failure. That way, you're not making decisions based on success, money and career. You're only making it based on doing what you love.
Usually I start with a beat, I start making a beat, and my producer side is making the beat. And on a good day, my rapper side will jump in and start the writing process - maybe come up with a hook or start a verse. Sometimes it just happens like that. A song like 'Lights Please' happens like that.
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