A Quote by Kage Baker

The 1910 Edison film of Frankenstein was itself a dead thing revived by technology. — © Kage Baker
The 1910 Edison film of Frankenstein was itself a dead thing revived by technology.
The 1910 Edison film of 'Frankenstein' was itself a dead thing revived by technology.
They say rock is dead. Andy [Warhol] said art is dead. God is dead according to Nietzsche. If everything's dead what's alive? Only technology. We're in the era of technology.
My earliest childhood memories are of watching Abbott & Costello Meet Frankenstein and Frankenstein Must Be Destroyed. I remember not liking Frankenstein then and going, "Who is this bald guy?" But I love it now.
'Son of Frankenstein' is never talked about in the same tone as James Whale's 1931 'Frankenstein.' But it should be. It was Boris Karloff's last appearance in the Frankenstein series and stars Donnie Dunagan, then a child actor.
You know, the technology was at the right place for us to build this world. The most difficult thing about doing The Croods was no doubt the building of the world. Every single thing in this film is organic. Organic things are tough. Very very labour intensive. And we have no man-made structures. You could argue that everything in this film is really an exterior. Even the interiors of the cave are exteriors. So building this world was the biggest thing of all, and the technology was there to do it.
There's so many people that are interested in film and especially in terms of the technology side of film, that suddenly the fruits of everybody's labor is really starting to manifest itself all across the planet.
I heard doctors revived a man who had been dead for 4-1/2 minutes. When they asked him what it was like being dead, he said it was like listening to Yankees announcer Phil Rizzuto during a rain delay.
At the time, I didn't know why, but I know now that when I was a little boy, I was scared to death of the Frankenstein films ... and in all these years later, I wanted it to come out with a happy ending, and I think it was my fear of the Frankenstein movies when I was 8 and 9 and 10 years old that made me want to write that story [Young Frankenstein].
Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there's anything about us more important than the fact that we're constantly on film, constantly watching ourselves.
So many people for so many years have promoted technology as the answer to everything. The economy wasn't growing: technology. Poor people: technology. Illness: technology. As if, somehow, technology in and of itself would be a solution. Yet machine values are not always human values.
I dreamt my lady came and found me dead . . . . . . . . . . . . And breathed such life with kisses in my lips That I revived and was an emperor.
A reporter called on Edison to interview him about a substitute for lead in the manufacture of storage batteries that the scientist was seeking. Edison informed the man that he had made 20,000 experiments but none had worked. "Aren't you discouraged by all this waste of effort?" the reporter asked. Edison: "Waste! There's nothing wasted. I have discovered 20,000 things that won't work."
This technology will obviously become more prevalent. Who knows what will result? One thing is certain, computer technology will revolutionize the way we tell stories as much as movie film has.
Technology feeds on itself. Technology makes more technology possible.
That Edison or Lincoln could have been Edison or Lincoln after four years of Harvard is improbable.
Technology is far more than a method, it is a world in itself. As a method, it is superior in almost every respect. But only where it is left to itself, as in gigantic structures of engineering, there technology reveals its true nature.
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