A Quote by Kage Baker

For all its flaws, 'The Hands of Orlac' really is a seminal film, and if you're partial to that particular B-movie subgenre of Demon Body Parts, you really ought to see it.
I think that a lot of the time I don't go for something in particular. I see what comes to me, I filter it out. I never really strive to play a particular character or do a particular genre of film. As long as it's a good script and a great range of people and my character is really interesting I can't see any reason not to do it.
Back when the concept of organ transplants qualified as science fiction, novelist Maurice Renard wrote a thriller called 'Les Mains d'Orlac.' Call it a bastard offspring of 'Frankenstein;' its plot revolved around the old theme of Science Giving Us Stuff We Shouldn't Have - in this particular case, restoring severed body parts.
I'm so critical of myself. I'm actually really, really proud of the film. It's really cool to see a movie at Sundance because everybody is so supportive.
Well consciously what we were doing when making the film was, we really wanted to make sure it was a film about - in our mind it was never really a sequel, it was its own movie going forward and it's why the movie doesn't have a number by it.
I see Igby as my first movie as an adult, and it's a big deal for me because I really, really like the film.
I went into Xanadu going, 'I really dislike this movie - let me try to make it something wonderful,' but with 'The Band Wagon,' I really revere this movie. It's really a beautiful movie musical. And, yet, because I'm a writer and look at it that way, I see that there are faults in it.
Oh, hello, me lovely, we haven’t met. Asmodeus, demon extraordinaire, at your service. Any service you may require, especially those that involve nudity and adjoining body parts joining other people’s body parts. (Asmodeus)
I certainly don't feel like I have the perfect body type... It's through your own eyes. And for every female, you're going to see flaws in that; you're going to see flaws regardless. So for me, it's just important to have that confidence and self-esteem no matter what body type you have.
I always have admired what Bill Cunningham does, his body of work. I think it's a really important, seminal body of work. I think Bill celebrates creativity and self-expression. So it's really a lot of different kind of threads, all through the lens of Bill Cunningham.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
I see the first 'Bourne' movie as really kind of a fulcrum in changing the modern action film, where things are really gritty and really character-driven. Think about how the entire Bond franchise was completely radicalized by Bourne.
But when I’m jumping, it’s as if my feelings are going upward to the sky. Really, my urge to be swallowed up by the sky is enough to make my heart quiver. When I’m jumping, I can feel my body parts really well, too—my bounding legs and my clapping hands—and that makes me feel so, so good.
With the right movie, 3D can enhance the experience. Absolutely, it can make a good film a great film. It can make a great film a really amazing film to see .
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
Close-Up is a very particular film in my oeuvre. It's a film that was made in a very particular way; mainly because I didn't really have the time to think about how to go about making the film.
I'm a Marvel fan, and I think this particular world that 'Doctor Strange' goes into is really, really, really exciting. I'm really interested as both an actor and a fan to see what's done in this particular world. It's all about creativity. It's not about everything exploding at the end. It's about something very different.
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