A Quote by Kage Baker
Despite what you hear about the publishing industry being a fixed game that you can only get in if you know somebody, I'm here in person to tell you it ain't so. If your stuff is really any good, sooner or later some editor will take a chance on you.
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There are a lot of distractions when you're in creative industries like publishing or fashion or media, and it's a real blessing to have witnessed some of those up close at a young age. I think when you get past the glamour, that's when you get to the good stuff - the stuff that really feeds your soul and enriches you as a person.
Sooner or later, the ones who told you that this isn't the way it's done, the ones who found time to sneer, they will find someone else to hassle. Sooner or later, they stop pointing out how much hubris you've got, how you're not entitled to make a new thing, how you will certainly come to regret your choices. Sooner or later, your work speaks for itself. Outlasting the critics feels like it will take a very long time, but you're more patient than they are.
Some musicians play with their heart, you know what I mean? I don't know what to tell a person that can't - if you can't tell a person what you're talkin' about when they're rushin' or droppin' the tempo, you get somebody else.
I have a great editor and I enjoy, in a masochistic way, being ruthless about my own performance. How do I know, but I think I'm quite good at saying, "That's no good. That's no good. That's it. That's it. That's good." And I'm with the editor who goes, "No, I think you're wrong. That's not your best." There's an initial point in the editing, if you're directing yourself, especially in my case, where you go, "Ouch, ouch, ouch, I can't watch this." And then, there's a point where you become hard-nosed and just take your neurosis away and go, "What's working? That's okay. That's okay. We can lose that, and lose that." You get objective about it.
Every comic will tell you that a lot of crowds play differently to different social commentary. Some people are really uptight about stuff like that. Some people just enjoy the fact that it's your experience and they want to hear you mock and joke about your life.
The only thing I won't watch is darts. And I don't watch cricket. How can you like a game that requires you to take four days off work to follow a Test? And I don't really like golf. I know a lot of English footballers play, but I know that if I go with the club to play, sooner or later I will end up trying to smash the ball with my foot.
I still don't really know what my style is. I like a lot of different kinds of comedy, I like watching it and I like being inventive and original. That's the problem with doing a longer set - you can't do every joke that you have because some stuff contradicts other stuff. Even when you know that the audience knows that you're joking and it's not true, you still can't do a joke about your family dying and then later talk about your Mom. I mean you want to keep some kind of cohesive order going.
You hear about quality time a lot but I really think that quantity time with a person is really what strengthens a relationship. That's when you really get to know somebody. You get to know their strengths and their weaknesses and that brings you closer. That's what 'Time Is Love' is all about.
The whole secret to mastering the game of golf - and this applies to the beginner as well as the pro - is to cultivate a mental approach to the game that will enable you to shrug off the bad days, keep patient and know in your heart that sooner or later you will be back on top.
People are always trying to tell you how they feel. Some of them say it outright, and some of them, they tell you with their actions. And you have to listen. I don't know what will happen with your lady friend. I think she's a nice person, and I hope you get what you want. But do me a favor: Listen, and don't ignore what you hear.
The Internet obviously changes things; we've seen that in the music industry above all else. As an author, I'm now having to deal with the fact that it's happening in the publishing industry as well. And publishing is going through a very difficult time. Some view it as positive, some negative, but nobody really knows how to deal with it. If you're an author it looks very challenging because your work can be pirated so easily and there's very little you can do about it.
Publishing your work is important. Even if you are giving a piece to some smaller publication for free, you will learn something about your writing. The editor will say something, friends will mention it. You will learn.
I'll go to the movies and hear 'Angel From Montgomery' in some film, and nobody ever even told me about it. They don't tell you your stuff is going to be in a movie. They don't have to, so they don't tell you. You get paid eventually.
I feel like I have more experience with publishing humor than pretty much any editor I'm going to be dealing with so sometimes I'll get a little bit nuts if I write something I know is good a certain way, and some editor because of some restriction he has and wants to change it that I know is going to make it less funny that'll piss me off and then I'm inclined to go, "Well, hey I've been doing this a long time, maybe you should..." That doesn't happen that often, but I'm more likely to say that now than I would have been a long time ago. Because dammit, I'm infallible!
Any time I get a chance to work with artists that make me inspired and learn new stuff about music - every chance I get, I'll take.
But I keep going on with this sad and hungry and sordid, this limping and mutilated story, because after all I want you to hear it, as I will hear yours too if I ever get the chance, if I meet you or if you escape, in the future or in heaven or in prison or underground, some other place. What they have in common is that they're not here. By telling you anything at all I'm at least believing in you, I believe you're there, I believe you into being. Because I'm telling you this story I will your existence. I tell, therefore you are.
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