A Quote by Kage Baker
Romantic Orientalism was fascinated by the color and excitement of a powerful culture, and nearly always approached its subject with love.
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I really don't see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty. If ever I get married, I'll certainly try to forget the fact.
Candy apple red is my favorite color. It's a powerful color to wear. It's always been that way - I've always been really attracted to that color.
I've always been fascinated by Asian culture, and I love that women can play the lead in a horror film.
I've always liked monster movies and I've always been fascinated by - again, growing up in a culture where death was looked upon as a dark subject and living so close to Mexico where you see the Day of the Dead with the skeletons and it's all humor and music and dancing and a celebration of life in a way. That always felt more of a positive approach to things. I think I always responded to that more than this dark, unspoken cloud in the environment I grew up in.
I don't wear a lot of color. In fact, I don't actually like color on myself. I love color but it's very challenging, it's very powerful, it can overpower you. I think if my eyes were closed and someone put a red jacket on me, I would be able to feel that it was red. I don't feel great in color.
Being a musician has actually surrounded and immersed me in pop culture and youth culture from a very young age. But even before I was singing in bands and creating any kind of art, I was always fascinated by pop culture.
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake is like thinking of sound for sound's sake. Color is like music. The palette is an instrument that can be orchestrated to build form.
I think all artists are looking for a subject or are sometimes unsure of their subject, but immigrant artists bring another culture to that and they bring also the place where the original culture meets the new culture.
It was always about love. Always, always about love. Lost love, love denied, the obsessive hunger for love. Parental or romantic. Whether it was twisted or pure, fulfilled or unrequited, love was always at the source.
Nearly always when actors are approached by the beauticians, they try to avoid the dabs that the beauticians put on their faces. They dodge them.
When I was approached to play the queen of witchland, I was fascinated.
For my parents' generation, the idea was not that marriage was about some kind of idealized, romantic love; it was a partnership. It's about creating family; it's about creating offspring. Indian culture is essentially much more of a 'we' culture. It's a communal culture where you do what's best for the community - you procreate.
I've always been fascinated by Japanese culture.
Any kind of novelty or excitement drives up dopamine in the brain, and dopamine is associated with romantic love.
Orientalism can be discussed and analyzed as the corporate institution for dealing with the Orient—dealing with it by making statements about it, authorizing views of it, describing it, by teaching it, settling it, ruling over it: in short, Orientalism as a Western style for dominating, restructuring, and having authority over the Orient.
I am a successful lecturer in physics for popular audiences. The real entertainment gimmick is the excitement, drama and mystery of the subject matter. People love to learn something, they are 'entertained' enormously by being allowed to understand a little bit of something they never understood before. One must have faith in the subject and in people's interest in it.
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