A Quote by Kai Greene
I think your posing and your onstage presentation is yet another piece of the craft. So anytime you get onstage to show the muscles and show the finished work, that should be looked at with the same kind of respect and appreciation. I'm glad everybody else appreciates it, but I still want to get better.
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Sometimes I think I'm more comfortable onstage than I am in my own room. When I get onstage, it's kind of like your chance to let go and be something that you're not maybe. It's your time to dream.
When you're doing a play, you're onstage, there's no stopping or starting, there's no stopping to reposition for the camera or have a check done. You're there 'till the end of the show. What that gives you is a great gift, which is to command the audience, and you get to play with your script and your fellow actors. Every night, it's different. Hopefully it goes well and you get a great response. But the technique that you have to have on film or television is so delicate. It's fine-tuning. That is very different from being onstage, but they both have important skill sets.
I still get really nervous, though, before each performance. It kind of hits about 15 minutes before we go onstage - sometimes I don't even want to go on. But once I'm onstage I'm fine.
I still get really nervous, though, before each performance. It kind of hits about 15 minutes before we go onstage - sometimes I don't even want to go on. But once I'm onstage I'm fine
In television, there's this weird sense of isolation from your audience; you kind of get this feeling that you write the show for you and your wife and your friends and the other people who work on the show. It's our little show, and then it goes out into the world, and somebody watches it.
I don't understand the feeling of, the way people speak of writing as though it were, like, some kind of djinn to be summoned or like it's the Loch Ness monster or seeing a shooting star. It's a physical act. It is a thing you do with your muscles and your body and your willpower. Watch, I'll show you: get a piece of paper. Get a pencil. Put the pencil on the paper and write the word 'something.'
People buy a ticket to see your show, so from the moment I get onstage, I can have no insecurities, because they're already there. You have to get people to listen. If they listen, everything's cool.
Sometimes you want things so bad you will kind of lower your standards, and I've learned that once you do that, it's really hard to go back, to get people to respect you and respect your craft.
The ROH guys looking at the New Japan guys coming over, we're just psyched. We think, "oh great this is just going to make our show even better." The respect level with New Japan and ROH is at an all-time high. And anytime we get a company like New Japan Pro Wrestling on a ROH show, it just benefits our show. It has everybody all jacked up, ready to do the best we can like we always do.
I just want to show the world it's never too late to get your diploma, and show kids they should stay in school and not wait until you're old to get it.
The only problems I sometimes have is if I ask for a piece for a group show, if I ask for a piece - I would like to put it into a show, sometimes the collectors get possessive about it and don't want to let something happen. Say you get full credit, you know. You give them your name, the catalog and it always enhances the value of the piece, you know, the more shows it is in, blah, blah, blah.
You have to show up when your show fails - or it succeeds. When you are enjoying the glory of success, you have to show up and still work hard because it may not last. You have to do your job with the same sincerity when you started and till you can actually do it with passion.
If you want to get power, listen carefully. Don't be impulsive. Don't arrogantly insert your opinion. Express gratitude. Cultivate a culture of respect. Show your respect for other people's efforts. Promote a culture of equality, too, where everybody's opinion matters. Tell stories.
As far as being onstage, commanding presence, I've always looked up to people like Axl Rose and Freddie Mercury and Paul Stanley - the rock gods. I've always wanted to be able to achieve that level of commanding nature onstage and really leading people at a show.
We're better than Metallica. We're better musicians, better players. Put it this way, they can try to walk onstage after an Iron Maiden show if they want.
My wife is like, You finally get your own TV show, you can have any kind of car you want and you get a darned truck. But my brother and I have the same kind of truck now.
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