A Quote by Kaitlyn Dever
Mostly I've just worked with actors and actresses that are fun and easy to talk to and had nothing but great experiences.
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I learn a lot with actors that I don't think are good. Every experience shapes you. I've had experiences with actresses - and I say actresses because there's just a woman thing - that have achieved what she's achieved, by means that I can't understand.
I'm a great believer in conversational rhythm. I think in terms of rhythmic dialogue. It's so easy, you can talk naturally. It's like peas rolling off a knife. Take the great screen actors and actresses, Bette Davis, Eddie Robinson, Jimmy Cagney, Spencer Tracy. They all talk in rhythm. And rhythm and movement are the life of the screen.
I've worked with the great and the not-so-great. But mostly, I've worked with men and women who loved their profession and who, like me, had kids to raise and houses to pay for.
I got my first job when I moved to Los Angeles. I worked at a coffee shop for five years and it was one of the best experiences I ever had. It was a bunch of actors covering shifts for each other and becoming great friends.
A lot of actors and actresses pull from past experiences.
I've had a lot of seedy side jobs. I've done it all. I've worked retail at the mall, just tons of side jobs, which I think are amazing for actors. I think everyone should have one! It helps you get more experiences, and the more experiences you have, the more you can channel into a character.
My mom is just someone who's easy to talk to and hang with. My sister, it's always cool to be able to help her out with things. My brother is fun when we're just joking and messing around. And my dad is someone who's helpful with my music and easy to talk to about that stuff because he understands me in that sense.
I just think that, you know, what young actors actors and actresses have to factor into their work is all of the social media and the pressures that come from social media and the scrutiny that they're under and so nothing goes under the radar.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
Most of the actors that I've had the pleasure to work with are very easy to get along with. And whether they're getting paid or not getting paid doesn't necessarily make a difference. Most people are easy to work with and easy to get along with, but we mostly hear about the assholes who are really a pain in the ass, and we've all had our share of working with them.
I haven't had a lot of experience with glamour. I've never had to mask myself, as many now not-so-young actresses have had to do. Female actors in that regard have a different lot in life than male actors.
There are some actors that are great stars and storytellers, but not necessarily good actors. I'm talking about some - not all - of the people you see in action flms or blockbusters. They're film stars, though not necessarily great actors. And there are those who are great actors, but not necessarily big film stars. Jim Sturgess is both. He's quite obviously a star, the audience likes him, he's a great storyteller and he turned out to be one of the greatest actors I've worked with as well.
What's great about New York is that there are a lot of theater actors and actresses, who are trained actors, that they bring onto the show. They're so talented, in such a weird, quirky and ominous way. And it's great to be able to work with new faces, too.
Co-parenting is going great with Britney. The schedule has been worked out over time, and we talk when we need to. It's always about the boys - mostly school stuff - and we make sure we stay on top of that. It's going great.
I don't have a great instrument. I don't have the kind of ungodly control over my voice and body that great actors have. And I've worked with enough great actors to know that I'm not one.
I've worked with some absolutely wonderful directors who bring out the best in me and I know I can trust, and then I've had the opposite experience, too. I've had both experiences, and obviously one is good and one is not good. When they're great, it's good. When they're not great, it's not so great.
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