A Quote by Kajol
I don't want to be any kind of producer at all - hands-on or otherwise! I feel producing is a very difficult job and creates ulcers! Maybe some people would like to have a certain amount of control; not me. It's too much stress and includes managing everybody's egos... handling my own is enough!
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I'm wearing three hats; I'm acting, producing, and directing. I was very involved in developing the script, too. But to me, that is very liberating. To me, the lower the budget, the more I want to be involved. I want to be more in control of my own destiny when there isn't much money involved, because you don't have the experts who can control your destiny.
You don't know who you will fall in love with. You just don't. You don't control it. Some people have certain things, like, 'That's what I'm going for,' and I have a subjective version of that. I don't pressure myself … If you fall in love with someone, you want to own them - but really, why would you want that? You want them to be what you love. I'm much too young to even have an answer for that question.
The theater is a kind of international language, and I like it. But I have a practical bent of mind, too. In any other field, I could make only about a tenth as much as I do acting. That's why I want to be a producer. It pays better, and you have more control.
I really enjoy work to a purpose. Maybe that makes me kind of strange. In some ways - and this is going to sound awful - it could be that writing is the worst job that I've ever had. Because it's so much more important to me and there's so much more opportunity for failure and I have so many people depending on me. In some ways it's the most satisfying, the most gratifying, and the most rewarding job I've ever had. But I actually would say it's probably the worst job I've ever had too.
I like owning my own narrative. It depends: I either give it all up, or I don't have any control. It's really hard to go halfway. Like with modeling, for example, I kind of give up all creative control, and that's just that. But when it comes to my own personal art, I'm very O.C.D. I see something a very certain way.
Being the executive producer of a film is not that difficult. It just means that you have some power. There's not a huge amount of skill involved, I don't know how much I'm giving away here. I feel like that guy on Fox, giving away the magicians' tricks. It's not rocket science, being an executive producer of a film.
I don't need to control the mind of my viewer. Now this might sound contradictory because I want to make these installations set up an environment that will produce a certain kind of experience in the viewer, but beyond a certain point, I take hands off and leave it up to chance and personal experience. So maybe it's a marriage of control and no control we're talking about where the artist produces the artifact or the environment and then walks away from it, and the second half of the equation is the viewer and their personal history and how they feel about what they're experiencing.
Maybe someone's who's a different kind of writer [would think otherwise] - someone who'd be just as comfortable writing essays on what their novels are about. Sometimes you feel like certain novelists are like that.
If the ordinary wage-earner worked four hours a day, there would be enough for everybody, and no unemployment — assuming a certain very moderate amount of sensible organization. This idea shocks the well-to-do, because they are convinced that the poor would not know how to use so much leisure.
I think it's very important to be mindful of your body and actually listen to it. If I'm craving a certain kind of food, I'll have, but I notice when I'm full. It's kind of like a logical diet. I think when people go on restrictive diets, they put too much stress on themselves, which might make them prone to bingeing.
It means a lot to me that people appreciate what I do. That's why I give a lot of importance to my fans and I like to maintain a certain proximity to them. I already feel very thankful that people enjoy my work so much, and becoming famous is not my ultimate goal. I think it's important to keep a good balance between what I want to do and what people want to hear; otherwise I might fall into the dark side.
I understand shipping - you have to expect to pay for the stamps or for the freight company - but what's this handling they always have? How much does handling cost, anyway? I don't want a lot of people handling something I'm going to buy before I get it. How much would it cost if you didn't handle it before you sent it to me?
There is too much at stake to worry about our own egos. When my son was killed, I had to face the fact that I was somehow also responsible for what happened. Every American that allows this to continue has, to some extent, blood on their hands. Some of us have a little bit, and some of us are soaked in it.
I like sharing stuff with people. I feel like it's kind of at their own discretion, you can see too much if you want to see too much.
There was a lot of soul searching and at the end of the day I looked back and realized it was all worth it and successful in its own way and it's led to me having this career that's much more in my hands and in my control than it would have been otherwise.
I think that more so, my wonderful skill of dissociation came in very handy. I care very much what other people think. I'm a total pleaser. I want everyone to like me all the time. I feel like people who don't feel that way on some level are lying, but particularly female memoirists. We want to be seen and we want to be forgiven. So that occurred to me very early on.
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