A Quote by Kajol

Oh God, my choice of film has never depended on the hero. In fact, you will see that some of my categorical mistakes had nothing to do with the hero in it. — © Kajol
Oh God, my choice of film has never depended on the hero. In fact, you will see that some of my categorical mistakes had nothing to do with the hero in it.
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
Heroes come in all sizes, and you don't have to be a giant hero. You can be a very small hero. It's just as important to understand that accepting self-responsibi lity for the things you do, having good manners, caring about other people-these are heroic acts. Everybody has the choice of being a hero or not being a hero every day of their lives.
You are a vain fellow. You want to be a hero. That is why you do such silly things. A hero!... I don't quite know what that is: but, you see, I imagine that a hero is a man who does what he can. The others do not do it.
No hero is a hero if he ever killed someone! Only the man who has not any blood in his hand can be a real hero! The honour of being a hero belongs exclusively to the peaceful people!
We have these rules, the 'hero rules.' Like, a hero doesn't slouch. A hero walks proudly with his head up. A hero walks with a purpose. A hero's always a gentleman.
When your hero falls from grace, all fairy tales are uncovered Myth exposed and pain magnified, the grace pays uncovered He told me to be strong, but I confused to see it so weak You say never to give up, and it hurts to see what comes to be When your hero falls soley the stars, and so does the reception of tomorrow Without my hero, theres only me alone, to deal with my sorrow Your heart ceases to work, and your soul is not happy at all What are you expected to do, when your only hero falls
It is said, that no one is a hero to their butler. The reason is, that it requires a hero to recognize a hero. The butler, however, will probably know well how to estimate his equals.
I am a commercial hero, and I will never leave that genre. And having an image of a mass hero, I will spoil the whole script in the wake of being too experimental.
If you look at Indian cinema, it has always been about the 'hero.' So it is not just a characteristic of the Kannada film industry in particular. But one of the reasons to explain the 'hero-centrism' in our industry could be the fact that the audience here really enjoys the action sequences and the 'punch' dialogues.
A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive"; or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture - in literature, art, theater, or the daily newspapers.
If the director has a story, he will go directly to the hero. If I have a big hero in hand today, any big banner or corporate will come to me. But if I say I have a good story, they will ask if I have a hero.
See, heroes never die. John Wayne isn't dead, Elvis isn't dead. Otherwise you don't have a hero. You can't kill a hero. That's why I never let him get older.
When you see the violence of Hollywood movies, there is a tendency that the hero is combating and confronting many people, without much harm to himself. But in my films, the hero takes a lot of hits so the very act of the hero being the one on the receiving end, makes the audience cheer and connect with him.
If the reader cares, I don't think it matters so much whether your hero is in fact an anti-hero.
If the reader cares, I dont think it matters so much whether your hero is in fact an anti-hero.
The hero saves us. Praise the hero! Now, who will save us from the hero?
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