A Quote by Kaka

I stayed in Milan for six years. I stayed in Madrid for four years. I played in Brazil for nine years, so I always think about the good projects. — © Kaka
I stayed in Milan for six years. I stayed in Madrid for four years. I played in Brazil for nine years, so I always think about the good projects.
I stayed in Miami and New York until I was about nine, and then we moved to India and stayed there for about four years and eventually moved to Berlin. It was definitely a cultural experience in its fullest, and I absorbed a lot. I don't regret any of it.
I did go to Beijing, with a two-year assignment. I stayed four years. And those four years were the most formative four years in my life. What I learned was more than I would have learned in 10 years in America or Europe, and I wouldn't trade it for anything.
I grew up Dalgety Bay, in the Kingdom of Fife, in a 1970s bungalow. We moved there when I was nine and stayed for about six years.
I played for Sampdoria and stayed there 15 years. Of course, I could have gone to Juventus, to AC Milan, to Inter Milan many times, but I preferred to remain because Sampdoria were my family, from the owners to the players.
If for nine years I have possessed a goodly apple that is rotten at the core and discover its rottenness only in nine years and six months less four days, isn't it true to say that for nine years I possessed a goodly apple?
I'm very comfortable in Argentina. I was raised there as a baby and stayed there until I was 11 years old, so the first decade of my life or my formative years were spent in Argentina. I stayed in tune with the food, music and language.
I took four years of violin, but got bored of it - over the years, I've been ADD with instruments. The only two that I've really stayed true to are guitar and piano.
For many years, despite what I thought were really punitive decisions about women in the church, I stayed and stayed and stayed. I kept saying to myself, "The Catholic church is my church, and by God, I'm going to stay here, despite what the hierarchy does."
It is hard for a young player at Real Madrid, they will always buy in new players and not look at the youths. If I stayed I could have been in the reserves for years.
I've played heavies for years and years and years. I was bald. I came to Hollywood. I did a play about junk. I was a pusher, so I played pushers for years and years and years. I did war movies and things like that.
It's a good thing I stayed in Cincinnati for four years -- It took me that long to learn how to spell it.
I was 14 years old when my dad went into rehab, and he stayed there for a long time - I don't know, 10 or 12 years maybe. He first was there as a resident, as someone trying to get sober, and it took a long time; and then he stayed on helping people get their GED.
I've been training as an actor for six years. Nobody goes to acting school for six years. I mean, the college course is only four years! I absolutely trained.
I always wanted to play for AC Milan or Real Madrid. Real Madrid, of course, because when I was young, the players that played there were the top players. I was looking at Real Madrid as the best of the best. And AC Milan, they also had good players when I was young, so I looked at AC Milan the same way as Real Madrid.
'Lucky Man' I wrote when I was twelve years old. I wrote it when I first was given a guitar by my mother. I only knew four chords, but I used them all to write that song. And it just stayed with me, stayed in my head. I didn't even write it on a piece of paper. I remembered it.
I think Diana Vreeland recognized the passion and the energy I had. I stayed at Harper's Bazaar for two years, until I met my first husband and moved on to Philadelphia in 1952. But they were incredible years - wonderful, wonderful years. But, anyway, my career sort of took off from there. I was really blessed.
This site uses cookies to ensure you get the best experience. More info...
Got it!