A Quote by Kaki King

I get why people want to come see me play guitar, but I still don't understand why people want to interview me. — © Kaki King
I get why people want to come see me play guitar, but I still don't understand why people want to interview me.
People always ask me why I still want to play, but I want to know why no one will give me an opportunity. It's like they put a stamp on me: 'Hall of Fame. You're done. That's it.'
People always ask me why I still want to play, but I want to know why no one will give me an opportunity. It's like they put a stamp on me: 'Hall of Fame. You're done. That's it.' It's a goddamn shame.
I understand that these people are all there to see me ride, that that's why they're in the building, and whether I have ten people, or a thousand people come out to see me, they still came out to see me, and I take that to heart.
Future's not everybody. The people who are taking my style are like my babies. I've got a tribe of kids that want to be like me... But I understand why people want to imitate the things I do. They're dope. It comes naturally to me. My fans can expect greatness. If I wasn't me, I would want to be me.
I can understand why people want to know who 'the real Ruth Jones' is. That's human nature. But do you ever get that from an interview?
I didn't understand the concept that there's a state that won't allow its people to leave or come back whenever they want to, by saying, "It's because we love you." And I never get that - I still don't get that concept. I thought, that's very threatening, and I don't get why you would want to make this experiment with Germany separation.
We want the right people, the ones who love to play football. I want a guy who, if I punch him in the mouth, doesn't stand there and say, ?Why did you punch me?' I want the guy who punches me back first, and then asks me why I did it.
In my opinion, if you buy a ticket to see me you're buying experience. People don't want to see me stand there and play guitar, they want to party with us.
Music is still part of my life, but I hate the idea of people coming to see me play the guitar because they've seen me in movies. You want people who are listening to be only interested in the music.
I have come to the conclusion - and I don't know why it took me so long, but nevertheless, I'm here now - that a lot of people tell me they don't get enough guitar on my albums. So I decided to do an album where the guitar would be the singer, playing the melody.
When I get home and people ask me,'Hey, Hoot, why do you do it, man? What are you? Some kind of war junkie? I won't say a goddamn word. Why? They won't understand. They won't understand why we do it. They won't understand that it's about the men next to you. And that's it. That's all it is.
Unfortunately, overall, movies are a conglomerate. People buy and sell people in this business, which can get really ugly unless you have the right set of values and understand why you're doing it. Luckily, I was raised by people who'd already gotten to that point, and seen all the yuck stuff - which is probably why they originally didn't want me to act.
We've had to deal with so many complications. We're still dealing with them. And what can we do? Nothing - well, unless we take your side's point of view and make deals with the devil. But why? Why can't we make deals with God? People do all the time. 'God, if you do this for me, I promise to be good.' Stuff like that. Yeah, but I don't see any contracts like you guys have. No hard evidence that it works. How come we can only get things we want by being bad? Why can't we get them by being good?
People are like, 'Why are you playing that five-neck guitar?' I want to hurt. I want to play.
What inspires me to paint is life, my emotions, through my paintings I want people to understand that life isn't always happy but you should be always hopeful that's why I use bright colors in my paintings, that's what I want people to feel about me and when they see my art.
I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.
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