A Quote by Kali Hawk
Training is vital. You need to know the technical aspects of acting, just in case someone hands you a monologue and simply says, 'Cry here and laugh here.' You have to be able to make sense of it all.
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So many young people think the big sex act is the whole movie, but that's not the case. You need to be able to talk and laugh and cry together.
I started doing community theater when I was seven and I think the intent was just expression. When you're a musician, you can make music in your room, and when you're a writer, you can write. Acting is one of the tricky art forms where you need a certain amount of permission to be able to do it. You can talk to yourself in the mirror, but it's different than actually acting or doing a scene. You need an audience and you need someone else to do it with.
[On being asked, 'Did you ever say that an actress needs to be able to laugh and to cry and that when you need to laugh you think of your sex life and when you need to cry you think of your sex life?':] No.
comedy ... is much harder to do than drama. It's not true that laugh and the world laughs with you. It's very hard to make a group of people laugh at the same thing; much easier to make them cry at the same thing. ... That's why great comic acting is probably the greatest acting there is.
I would never go to a studio. I need my space, you know what I mean? I need to be able to chain smoke and pace about, cry and like... spit. Just make noise, make a huge mess. I also feel like if I was concerned for the cost of the studio - like, 'this is costing 40 dollars an hour' - I wouldn't be able to work.
I know that I make technical mistakes from time to time. It's one of the aspects of my game that I've been working on for years. I think I've managed to reduce the number of those technical mistakes to a minimum, but occasionally, they happen. On the other hand, I do have moments of technical brilliance.
The important thing in acting is to be able to laugh and cry. If I have to laugh, I think of my sex life. If I have to cry, I think of my sex life.
People think because I can make them laugh on the stage, I'll be able to make them laugh in person. That isn't the case at all. I am essentially a rather quiet, dull person who just happens to be a performer.
I have done this—made the sad prince laugh. Made his grieving parents smile. None but me. Think you only kings have power? Stand on a stage and hold the hearts of men in your hands. Make them laugh with a gesture, cry with a word. Make them love you. And you will know what power is.
I want to be able to make people laugh and cry and feel happy or sad and feel all these different emotions through singing and acting. Hopefully throughout my career, I'll get to pursue them.
Making people laugh is one of the highest achievements you can have. And when you can make someone laugh and cry, alternatively, as Chaplin does - now that's the highest of all personal achievements. I don't know that I aim for it, but I recognize it as the supreme goal.
You have more of a responsibility to make the audience laugh. In comedy, we do have to say, "All right, it's been two minutes in the film. We need another laugh here." With drama, there's no pressure in that regard. It's a different kind of pressure, but it's not like we need to make someone laugh.
Well, I - all cases to me have interest. Every case is important to somebody, the people litigating that case. But the most difficult case for me is the case where one person says a, the other person says b, and you just don't know for certain who is not telling you the truth.
Our bodies, speeches and minds need to be trained so that they will do anything we want. We can cry or laugh at once when we want to. Then it will be a natural response; we will cry when it is time to cry, and laugh when we should laugh. Do you understand? We can get angry when necessary; we can be gentle if we have to. We will completely become our own master. Then, no matter what we want to do, it will benefit the world. It is not difficult to attain this stage; all we need to do is to mediate.
When I was younger, I thought I had to shut myself off, work really hard to cry. I learned after a while that that's just not... You know, often in life, you cry when you're caught off-guard. That's where I need to be when I'm acting, too.
You need to know that going in, and you also need to be able to write all the time. So when somebody looks at you across the table and says, "What do you think about a movie where Miley Cyrus switches souls with a basset hound?" You need to be able to sit there and figure out how to make that possibly shootable.
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