A Quote by Kali Uchis
The first time I did a show, I definitely didn't get any money. My friend just let me do this show. I was so nervous: my mic didn't work, and I was like, 'Urgh.' It was terrible. It was a dingy club off of the highway, but all these people came. It was packed out.
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I did a show in Germany, and some kid - he was disabled - he was actually in a wheelchair, and he came out to my show, and he couldn't get across to me what he was trying to say, and you could see that he was frustrated because he couldn't fully express himself, and I just felt like, 'Wow, he's just really passionate about me.'
I literally knew nothing when I did that show ["Tony Flanagan"]. It was the first time I signed an autograph, it was the first time I got fan letters, it was the first time people screamed when I came out.
The amount of time it took me to get a show like 'Shameless' was definitely worth it because of the people and the material. I can appreciate it because I know what it's like when I didn't have a show.
The only time I don't get nervous is if I'm doing a home club in L.A. and I know all of my friends there because then I play to my friends. When I first started doing comedy, I hated it when my friends came; it made me more nervous. Now I just try to make them laugh.
John Kricfalusi is very talented; he used to really piss me off. But I did good work, you know? The Ren & Stimpy show without me was totally unsuccessful. So if there's anybody listening out there with any doubts about what I can do for a show: Try me. The thing is, I wasn't about to stop doing a job.
I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who's an illustrious director now, and it starred... Well, I was in it, Mandy Patinkin, Dianne Wiest, Saul Rubinek, and Maury Chaykin. It was an amazing show. But it was definitely ahead of its time, and people didn't quite get it.
I started over again with an image: Nothing goes right. Then when The Godfather came out, all I heard was, Show respect. With me, you show respect. So I changed the image to I don't get no respect. I tried it out in Greenwich Village. I remember the first joke I told: Even as a kid, I'd play hide and seek and the other kids wouldn't even look for me. The people laughed. After the show, they started saying to me, Me, too - I don't get no respect. I figured, let's try it again.
I used to get nervous, you know if my parents would come watch. And then I would get nervous if my friends came and watched. Today it's not a problem anymore actually, because now I enjoy it. I see that they, you know, respect me immensely, and I try to put on a good show and show that I can still play very good tennis.
If I had a million dollars, I just wouldn't just completely set back. I'd have to get out there and show my face to all these good people who like me, I have to get out there and show my face. The only thing that would set me back if I get sick or something or pass away, that's all you can do about that you know. But as long as I got my health goin' pretty good, I'll show up around here.
My very first show that I ever did was a show called 'Then Came You'. It became a huge hit - no, it didn't. But it was a sitcom with some great people involved, and the story was about an older woman and a younger guy. I was the older woman's best friend. I was 27 years old.
There was a television show called The Innocents of Hollywood. Brooke Shields is a friend of mine and she saw one of the introductions to it, and she called me and said, "I think you better check this out." And on this show they talked about parents who'd ripped off their kids. One of them said, "My mother stole $300,000 from me as a child." Well, my mother opened a bank account for me when I made $60 on my first day of work as an extra. She's that kind of mother. But god knows what people will say when this movie comes out.
It's either, like, 'Your album was the first jazz album I listened to,' or, like, 'My friend took me to this show, and I've never been to a jazz show before, but, man, I'm so happy I came. I can't wait to go home and see more.' And you can feel it in the crowd, too. You can see the groups of people that don't really know what to expect.
In general, I'm pretty shy and nervous about a lot of things. For me to get on stage for the first time took so many times at an open mic before I finally got on stage and did it.
The music kind of possesses me when I sing. So whenever I start to sing on a show - I mean, first, I'm nervous, and then when I get into it, it's just like I feel like I'm the person who sang the song first.
When I first came to the U.S. - because I do accents and I've traveled the world. I have friends of almost every single ethnicity, and I would mimic them. And when I came to the U.S., I remember one day we're at "The Daily Show." And I mimicked my Chinese friend. And the guys at the show were like, oh, hey, don't ever do that again. That's really racist.
There is nothing cooler than to have them singing your words back to you. The last show I did, I was kind of nervous about putting the mic out there, because you're not sure how it's going to go. But I did, and they sang the whole chorus. I thought, 'Holy crap! That is the coolest feeling.' It's the biggest rush ever.
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