A Quote by Kalki Koechlin

Going to London at 18 to study drama and theatre made me grow up really fast. — © Kalki Koechlin
Going to London at 18 to study drama and theatre made me grow up really fast.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
I studied drama in high school, and when I was 18, I studied at the Actors Studio in New York. Then I moved to London when I got engaged to Bryan Ferry, and I studied at the National Theatre there.
My parents were pretty open-minded people, but I think leaving them at a young age really made me grow up fast.
I didn't grow up a theatre kid, going to theatre camps. I played sports, and that was my main direction. But luckily, I never had to choose between sports and theatre.
We ask these young girls to grow up too fast. In the society where they grow up, they are asked to grow up too fast, and everything pushes them in that direction. The media creates pressure.
Modelling was not very satisfying for me. I came to London to model, and I fell in love with the theatre. I was eating yoghurt every day so that I had the money to go to the theatre. I saw everything. It's still my dream to be on stage in London.
There's not a lot of room anymore for what I call 'made-up' drama. The drama comes from real places now - marriage takes work and focus, the kid stuff takes patience and commitment. And if you don't grow as people and as a couple, within all of that, then you've got some real drama.
At 13, in my first year of Tonbridge, I went up for the part of Macbeth. I was up against the 17- and 18-year-olds, but for some reason I got the part. It made me incredibly unpopular with my peers, but it was the English and drama teachers who stepped in to save me when others wanted me kicked out of the school.
I paid my dues at drama school and worked backstage in every Theatre in London.
I didn't really make up my mind to be an actor until I did 'The Hitcher' with Rutger Hauer. I was about 17 or 18 when I did that, by which point I'd probably done a dozen or more movies or TV things, but 'The Hitcher' was the experience that made me want to study and commit and learn how to do this for my life.
I hope it's always going to be a mix between theatre, film and radio. I've been very lucky living in London that you can do all that - in New York and L.A., there's more of a structure for film in L.A. and theatre in New York. In London, our industry is smaller, but it produces brilliant work all in one place.
I got involved in the Surrey Country youth theatre which led me to go to drama school where I realised that this was going to have to be my career, and I was really lucky to get big breaks early on.
Starting my career in London was no accident because the city and the industry here are all about theatre and drama, and I respond well to that.
From there I did a one year theatre acting course in Fife, and then three years of drama school in London.
I started doing repertory theatre in upstate New York when I was 15, went back when I was 16, and by that time decided that I really wanted to study drama seriously and go to an acting conservatory called Carnegie-Mellon University in Pittsburgh.
I had no idea what I was going to do with my life. But then a lady at the youth theatre asked me if I'd ever thought of going to drama school.
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