A Quote by Kalki Koechlin

'Jia Aur Jia' is like my first proper fun, masti Bollywood film. I have a full-on dance number. — © Kalki Koechlin
'Jia Aur Jia' is like my first proper fun, masti Bollywood film. I have a full-on dance number.
I didn't see myself in Jia Jhangke or Wong Kar-Wai films. Those are Asian filmmakers, and I very much am an American filmmaker.
I wouldn't want to do a Bollywood film per se, but I would like to do an Indian-language film. For some reason I think Bollywood has become synonymous with commercial cinema, which is song and dance and everything that is larger than life, and I am interested in the reality.
There are some serious limitations in Mo Yan's situation as a writer in China today - just as there are for Jia Zhangke, one of the world's greatest film directors. He can only phrase his dissent obliquely, in his art. Writers in "free" societies labor under no such constraints. They can write more or less whatever they want in both their fiction and their commentary. Yet so many of them look oddly inhibited, even timid, and depressingly a couple of prominent figures actually positioned themselves to the right of their governments, intelligence agencies, and corporations.
I would like to see more Bollywood films! The more stylized musicals are a new trend in the U.S. We are beginning to make musicals again after a long break, practically since the days of the studio structure, so perhaps we can learn a few things from Bollywood about this fun style of film-making.
I'm dying to do a masala Bollywood film with typical song and dance. But having said that, my character in the film should have her own point of view. I won't play a role who has no brains.
When I think of Bollywood dance, I think of choreographies from the '70s and '80s. That was true Bollywood, what is now known as old school Bollywood.
I am an actress. My first film was a Telugu film, my second film was Bollywood, and third was Indo-Chinese.
'Housefull' means a house full of masti, mazaa, vibrancy and energy, something that London stands for as well. Audiences have traditionally loved what the city and its people have to offer on screen in the film and we are taking that forward with 'Housefull 4' too.
Not many people know that I was one of the first few Indian actors to do a television show. I did the dance show 'Kya Masti Kya Dhoom' when I was at the peak of my career.
I didn't start out my directorial career with a dance film, as I knew people thought a choreographer will easily make a dance film. And even with a non-dance film, I had delivered a successful film.
I hate Bollywood. The movies are all garbage, just terrible. It's my opinion; obviously, there are billions who like and love them. I don't like all the singing, dancing and all the dramatic crying. I have never seen a Bollywood film in my life.
I would love to make Madhuri Dixit dance. If I do a film with her, it definitely has to be a 'Madhuri Dixit film'. I don't want to cast her in a small role. I will do a full- fledged dance film with her.
Small events and some songs and dance do not make a film. A film needs to have a proper structure and there has to be an output which would be relevant to people who watch it.
I want to do Hindi films, but a proper one and a good production. I'm even open to multi-starrers because those work better in Bollywood. But it should be with only Bollywood technicians, not the South Indian team. There's no point to my going to Bollywood if I work with the same artistes and technicians.
Belushi was one of my very first heroes. At a time when film, television, and music were undergoing tectonic shifts within American culture, he was at the center of it all. At that moment, he had the number one show on television, the number one film at the box office, and the number one record on the charts.
Music is a very integral part of the film, but it will not be as full of music as a Bollywood film.
This site uses cookies to ensure you get the best experience. More info...
Got it!