A Quote by Kalki Koechlin
Of course, people have tried to stereotype me... But it's very short-lived if you realise that you're only as new as your newest film... You have to look beyond the period of initial reactions and recognise that there's a bigger body of work and an effort to do something bigger.
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Narrative and characters have always interested me. I never tried to alienate an audience. Of course, gradually, I wanted a bigger and bigger space to draw people in, so it's very organic [growth].
I think that they hoped the private sector would come in. And the private sector tried to come in until they saw the size of the problem. I mean, from were people on that weekend that thought they'd had a solution. And then the hole kept getting bigger and bigger. And all of a sudden became apparent that 20 billion wouldn't do it and 30 billion wouldn't do it and 40 billion wouldn't do it. So it got beyond anybody's ability to certainly to do it in a short period of time.
Every film that gets made, and I'm not just talking about 'Star Wars,' I'm talking about Marvel, DC, every tent pole film - they seem to just keep getting bigger and bigger and bigger and bigger. The worlds get bigger, the stakes get bigger.
We all felt the majesty of the body. In a very short period of time we had seen something that was bigger than each of us. A lot of people, even those who were not religious, were reverent and attributed the success to God. As we saw the artificial heart beat in Dr. Clark, the feeling was not aren't we great, but aren't we small.
We're only on the earth for a short period of time. Movies aren't enough. I want to take my success and parlay it into something bigger and better.
Getting bigger isn't a big deal for me. I don't want to get bigger. But having a nicer body and being stronger is definitely something I'm aiming for.
When I was 8, my dad asked me if I wanted to audition, just for fun. I did just a little short film, and I liked it. I just kept doing it, and then I started getting bigger auditions for bigger roles.
You realise the responsibility of carrying a film on your shoulders when people are investing money in you and they recognise the hard work you have to put in.
What the body-positive movement wants is to stop categorizing people, and to let people of all body types be able to do anything, whether they're slightly bigger than the average model or a lot bigger.
The difference between this film [Your highness] and Pineapple Express was pretty much in the logistics of the technical ambition of the movie, and the size and scope of the movie. Pineapple Express was a great success, and that was something that we wanted to capitalize on, but we wanted this movie to be bigger, more adventuresome, bring a bigger audience to the movie, and challenge ourselves to do something new.
I think on both sides of the pond, there are pros and cons to TV and film, and I think that there are things the British people can learn from the Americans and things the Americans can probably learn from us when it comes to the acting industry. But the main thing here in the USA is everything is just a hell of a lot bigger. The sets are bigger, the casts are bigger, the crews are bigger.
So is civil society prepared for the future? Probably not. Most organisations have to live hand to mouth, juggling short-term funding and perpetual minor crises. Even the bigger ones rarely get much time to stand back and look at the bigger picture. Many are on a treadmill chasing after contracts and new funding.
To fight a bigger guy you need to train with bigger guys and it takes a lot more on your body. And it's not your weight class.
I think most of us are torn. We have at least two people at war in our body. One person wants to retire and grow fabulous tomatoes, and the other wants to stand up on a pedestal and be worshipped and get bigger and bigger and bigger until she explodes.
Dancing is bigger than the physical body. Think bigger than that. When you extend your arm, it doesn't stop at the end of your fingers, because you're dancing bigger than that. You're dancing spirit.
I think people are willing to take more of a risk on an indie film, about character, etc...but at the same time, when I work on projects that are substantially bigger, in a way they do feel small. Even though the catering is way better and we actually have someone shooting with real film.... The budgets are bigger but the story still feels small, like an indie film.
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